Partitions pour piano, orgue et accordéon

This entertaining collection offers appealing melodies and rhythmic vitality, with delightful tunes that your students will relate to their everyday experiences. Great sounds for both audience and per...

Lyrical melodies abound and patterns flow across the full range of the keyboard creating colorful effects, often requiring reading on three staves. Teachers looking for music by contemporary women com...

Barbara Becker has created a fun collection of ten Christmas songs for the preparatory level student. Success is guaranteed for that first Christmas by using only stationary five-finger positions in e...

Eleven motivational solos for the Level Two student show extraordinary creativity and imagination. These popular arrangements will inspire piano students with their contemporary harmonizations. Christ...

Une collection de 13 œuvres pour piano accessibles de Smetana, compilées et éditées par le pianiste et éducateur Vaclav Stepan.

Includes Six Pieces For Solo Piano, Ancient Airs and Dances and Three Preludes on Gregorian Melodies.

28 morceaux-études

Dance Suite was written at the Christmas vacation of 1955-56 for the pianist Adolph Hallis. No attempt is made at evoking the stylised courtly dances of the Baroque suite: the dance element here is an...

Sonata No. 1 Op. 24. Composed in 1957, duration 12 minutes. Suitable for advanced pianists.

The second sonata is on a much larger scale than the first, and has three movements which develop in intensity, reaching a climax in the last movement which is a passacaglia. It is a stormy work, in t...

Published 1990. Commissioned by Satoko Inoue. First performance: Tokyo, 1991, Satoko Inoue.

Published 1973. Commissioned by Yuri Takahashi. First performance: Tokyo, 1974, Yuri Takahashi.

Published 1996. Commissioned by Satoko Inoe. First performance: Tokyo, 1996, Satoko Inoue.

Published 1998. Commissioned by Satoko Inoue. First performance: Tokyo, 1999, Satoko Inoue.

Published 1984. Commissioned by Yvar Mikhashoff.

Published 2001. Commissioned by Japan-Canada Fund at the Canada Council for the Arts. First performance: Eve Egoyan, 2002.