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Composed for International Women's Day, this mesmerizing piece celebrates the centennary of Rosalind Franklin and sets her own words with additional text by the poet Seán Street. . . .

The Goslings' is a witty but poignant tale of love with a fateful twist, set to music by Sir Frederick Bridge. Humorous tales personified by animals were abundant in the late nineteenth century and ob...

A beautiful arrangement with German and English text, this cradle song would make an ideal closing piece for a concert programme. Originally published in Encores for Choirs 2.

The text of Carúl Fáilte, written by the composer, attempts to capture something of the emotional immediacy and directness of expression characteristic of Irish devotional folk poetry. An English text...

Offprinted from the collection "Sprituals for Choirs".

Offprinted from the collection "Spirituals for Choirs".

Khorurd Metz is an Armenian sacred hymn, or sharakan, for the feast of the Nativity. Movses Khorenatsi, who wrote both the words and the melody, was one of the Armenia's greatest sharakan composers, a...

Javier Busto's Kuttun Kantak (Night Songs) is a set of three songs: a lullaby with characteristic cross-rhythms; a prayer in irregular metre; and a song of rejoicing. An English text by Bob Chilcott i...

The traditional carol Notre divin Maître comes from a collection known as Noëls Anciens de la Nouvelle-France (Ancient Carols of New France). The melody derives from an old drinking song but has been...

In Vic Nees's arrangement of this traditional Flemish carol the harmonization becomes richer with each successive verse, culminating in six-part harmony in verse 4. An English text by Bob Chilcott is...

From the collection Epiphany to All Saints for Choirs, this beautiful and graceful antiphon for the feast of the Presentation of Christ in the Temple is here edited by Timothy Morris. Scored for SATB...

From the collection Epiphany to All Saints for Choirs, this meditative 16th century work for feast of the Presentation of Christ in the Temple is here edited by Timothy Morris. Scored for SSATBB and i...

Originally published in Epiphany to All Saints for Choirs, this polyphonic motet perfectly captures the style of its time, with beautifully designed counterpoint and melismatic passages. Suitable for...

From the collection Epiphany to All Saints for Choirs, Tallis's five-part setting of the Nunc dimittis is here edited by Stephen Rice. Scored for SATBB unaccompanied and including a piano part for reh...

From the collection Epiphany to All Saints for Choirs, this Matins canticle has a text based on verses from Isaiah. Scored for SATB unaccompanied with soprano and tenor solos, it is most suitable for...

From the collection Epiphany to All Saints for Choirs, this lucid antiphon for the Epiphany is here edited by Timothy Morris. Scored for SATB unaccompanied and including a piano part for rehearsal pur...

Originally published in Epiphany to All Saints for Choirs, this anthem for All Saints' Day features all the hallmarks of the sixteenth-century polyphonic style. Includes both Latin and English singing...

Originally published in Epiphany to All Saints for Choirs, this antiphon for All Saints' Day features all the hallmarks of the sixteenth-century polyphonic style. Includes both Latin and English singi...

The Cherubic Hymn' is a hidden gem from Rachmaninov's Liturgy of St. John Chrysostom, perfect for Trinity Sunday. With flowing melodic lines, exquisite harmonies, and a contrasting second half, the re...

The composer has combined a single line of Latin, 'O virgo splendens', with an earthy, late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qua...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

This beautiful setting of a medieval English text is simple yet effective, written in Assersohn's clear and approachable style. With tender 'lullay, lullow's, lilting phrases, and gentle modal inflect...

This is an upbeat original setting of the well-known Latin text. Rambunctious, hearty, and in a sophisticated modal style, it is suitable for both church and concert performance by experienced choirs.