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Enregistré en 1932 par le Kansas City Orchestra de Bennie Moten, ce classique du jazz a notamment été stylisé par Count Basie en 1940. La version facile de Rick Stitzel est fidèle au style de Basie, a...

Featuring a distinctive up-beat groove in 7/4 throughout (3+4), Mark's inventive original is a fabulous duet feature for trumpet and tenor sax. In between the duet statements and solos are full ensemb...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

It's holiday mash-up time! This is a clever combination of the traditional carol with sultry Brazilian jazz a la Stan Getz. Two transcribed solos are provided for tenor sax and trumpet (or flugelhorn)...

It's holiday mash-up time! This is a clever combination of the traditional carol with sultry Brazilian jazz a la Stan Getz. Two transcribed solos are provided for tenor sax and trumpet (or flugelhorn)...

With a fun and lively New Orleans second line treatment, this setting of the traditional The Holly and the Ivy takes the familiar melody and transforms it into a great chart for holiday concerts. Solo...

With a fun and lively New Orleans second line treatment, this setting of the traditional The Holly and the Ivy takes the familiar melody and transforms it into a great chart for holiday concerts. Solo...

Here's an ebullient and flashy solo feature for clarinet and big band. The ensemble swings brightly with intricate but accessible orchestrations while the bouncy solo shines with riffs and glissandi....

Here's an ebullient and flashy solo feature for clarinet and big band. The ensemble swings brightly with intricate but accessible orchestrations while the bouncy solo shines with riffs and glissandi....

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...

Monika Herzig's blistering Just Another Day at the Office was originally recorded by her band Sheroes and featured in the publication New Standards: 101 Lead Sheets by Women Composers (Berklee Press,...

Monika Herzig's blistering Just Another Day at the Office was originally recorded by her band Sheroes and featured in the publication New Standards: 101 Lead Sheets by Women Composers (Berklee Press,...

Ryan Fraley's arrangement of Camille Saint-Saëns' Danse Macabre transforms the iconic nineteenth-century supernatural tone poem into a dynamic 1930s hot-jazz piece reminiscent of Django Reinhardt's sw...

Ryan Fraley's arrangement of Camille Saint-Saëns' Danse Macabre transforms the iconic nineteenth-century supernatural tone poem into a dynamic 1930s hot-jazz piece reminiscent of Django Reinhardt's sw...

This 'barn burner' by outstanding arranger John Wasson was recorded by the very hot Jim Widner Big Band for his commercially available CD Body and Soul on the Chase Music Group label. Pure Latin fire...

Kendor is happy to welcome new composer Andrew Lesick to the catalog. The Gumshoe is a medium bright swing that features a written Piano solo off the top. Everyone gets a turn at the melody as the cha...

The title for this chart comes from the repeated eighth notes that occur on beat one throughout the piece. A swinging excursion in D minor that your students will have a great time playing. There is a...