Partitions pop pour piano, voix et guitare

Thrill Me, written by Mick Hucknall and Fritz McIntyre, as recorded by Simply Red, arranged for voice and piano with guitar chords.

Burning Down The House, written by David Byrne, Chris Frantz, Tina Weymouth and Jerry Harrison, as recorded by Tom Jones and The Cardigans, arranged for voice and piano with guitar chords.

2:1, written by Donna Matthews, as recorded by Elastica, arranged for voice and piano with guitar chords.

What Do You Want From Me? written by Peter Hook and David Potts, as recorded by Monaco, arranged for voice and piano with guitar chords.

So You Win Again, with words and music by Russell Ballard, as recorded by Hot Chocolate, arranged for voice and piano with guitar chords.

You Won't Do For Love, written by Robert Caldwell and Alfons Kettner, as recorded by Go West, arranged for voice and piano with guitar chords.

Cherry, as recorded by Amy Winehouse, taken from her debut album 'Frank', arranged for voice and piano with guitar chords.

Fuck Me Pumps, as recorded by Amy Winehouse, taken from her debut album 'Frank', arranged for voice and piano with guitar chords.

Mr Magic (Through The Snoke), as recorded by Amy Winehouse, taken from her debut album 'Frank', arranged for voice and piano with guitar chords.

Na Na Hey Hey (Kiss Him Goodbye), as recorded by Bananarama, arranged for voice and piano with guitar chords.

There Is No Greater Love, as recorded by Amy Winehouse, taken from her debut album 'Frank', arranged for voice and piano with guitar chords.

You Sent Me Flying, as recorded by Amy Winehouse, taken from her debut album 'Frank', arranged for voice and piano with guitar chords.

Can You Stop The Rain, written by John Bettis and Walter Afanasieff, as performed by Peabo Bryson, arranged by Dan Coates for voice and easy piano with guitar chords.

Stay (The Black Rose and The Universal Wheel), written by Andrew McCluskey and Paul Humphreys, as recorded by OMD, taken from their seventh studio album 'The Pacific Age', arranged for voice and piano...

(Forever) Live And Die, written by Paul Humphreys, Neil Weir and Alasdair Weir, as recorded by OMD, taken from their seventh studio album 'The Pacific Age', arranged for voice and piano with guitar ch...

Flame Of Hope, written by Andrew McCluskey and Paul Humphreys, as recorded by OMD, taken from their seventh studio album 'The Pacific Age', arranged for voice and piano with guitar chords.

Goddess Of Love, written by Andrew McCluskey and Paul Humphreys, as recorded by OMD, taken from their seventh studio album 'The Pacific Age', arranged for voice and piano with guitar chords.

The Dead Girls, written by Andrew McCluskey and Paul Humphreys, as recorded by OMD, taken from their seventh studio album 'The Pacific Age', arranged for voice and piano with guitar chords.

Shame, written by Andrew McCluskey, Paul Humphreys, Alasdair Weir and Neil Weir, as recorded by OMD, taken from their seventh studio album 'The Pacific Age', arranged for voice and piano with guitar c...

Southern, written by Andrew McCluskey, Paul Humphreys, Alasdair Weir and Neil Weir, as recorded by OMD, taken from their seventh studio album 'The Pacific Age', arranged for voice and piano with guita...

The Pacific Age, written by Andrew McCluskey and Paul Humphreys, as recorded by OMD, taken from their seventh studio album 'The Pacific Age', arranged for voice and piano with guitar chords.

Dreaming, written by Andrew McCluskey and Paul Humphreys, as recorded by OMD, taken from their compilation album 'The Best Of Orchestral Manoeuvres In The Dark', arranged for voice and piano with guit...

Electricity, written by Andrew McCluskey and Paul Humphreys, as recorded by OMD, taken from their compilation album 'The Best Of Orchestral Manoeuvres In The Dark', arranged for voice and piano with g...

Enola Gay, written by Andrew McCluskey, as recorded by OMD, taken from their compilation album 'The Best Of Orchestral Manoeuvres In The Dark', arranged for voice and piano with guitar chords.

Joan Of Arc, written by Andrew McCluskey, as recorded by OMD, taken from their compilation album 'The Best Of Orchestral Manoeuvres In The Dark', arranged for voice and piano with guitar chords.