chœur des hommes avec piano

Lloyd Webber's eternal favourite from the hit musical Cats, arranged here for TTBB by David Cullen.

performing edition of complete incidental music and settings of text from the play by Aristophanes for vocal soloists, male chorus and orchestra, originally used for stage production and now, with nar...

Ed Lojeski brings back the sound of Little Anthony and the Imperials in this fun arrangement. Add some sways and finger-snaps and you have a perfect choice for small or large groups. Available for TBB...

Groove to the sounds of a by-gone era with this 1954 hit originally recorded by The Spaniels. Classic doo-wop! Available for TBB and ShowTrax CD. Performance Time: Approx. 4:00.

This is hilarious! Ellen Foncannon has created a clever parody on Bach's famous Fugue in G Minor that will have your audience in stitches! Your students will have a blast singing such funny words with...

This new offering from the Randy Stenson's Male Chorus was premiered at the 2008 ACDA Northwest Division convention. Beginning with a rollicking and rhythmic opener the middle section transforms to ta...

This new offering from the Randy Stenson's Male Chorus was premiered at the 2008 ACDA Northwest Division convention. Beginning with a rollicking and rhythmic opener the middle section transforms to ta...

With its limited ranges and the vocal line supported by the accompaniment, this is the ideal TTB work for the Middle and High School male choir. With references to Walt Whitman's Song of the Open Road...

Set to an intriguing poem by Edgar Allen Poe, this is a nice piece for high school men's voices, with piano.

A piece of our times, which describes the fears of being at war and the yearnings for a safe place back home. Most suitable for high school men's voices, comfortable vocal range for all parts. With pi...

Introduce your younger students to classic choral forms with this new composition written expressly for young voices. Simple vocal lines, basic Latin, and familiar classical harmonies make this a teac...

This new male-voice setting of Shakespeare's famous text offers terrific performance possibilities. Many unison passages contrast nicely with two part sections with some optional divisi.

Already popular as an SATB composition, this new voicing gives male choirs the opportunity to experience David Dickau's romantic music and Sara Teasdale's inspiring, engaging poetry.

Dan Davison's inventive new adaptation of this Norman Luboff classic makes a fun Carribean-style piece accessible to male school choirs. Island rhythms, engaging lyrics and contained ranges make this...

A companion piece to his earlier Kyrie Eleison, Dan Davison's new Gloria fulfills a needed pedagogical role for younger two-part and TB choirs, with its simple vocal lines, elementary Latin, and famil...

Upbeat and uptempo, this joyous anthem could be used in both worship and concert, and its accessible vocal writing alternates between unison and harmonic passages. A straightforward piano part further...

Written for the needs of young male choirs, this two-part neoclassic piece incorporates useful teaching techniques, with attention to the needs of the male voice. It is appropriate for men of all ages...

Following the solid success of Dickau's SATB setting of the beautiful love poem by e. e. cummings, here is his musical arrangement for men's voices. It is an impressive, yet romantically intimate piec...

From last season's success, here is a new setting for men's chorus of this majestic fanfare with keyboard and trumpets. It is accessible for choirs of various sizes. An English text also makes it perf...

A great choice for men's ensembles. The text is masterly set to describe music's wondrous powers, offering a chance for great expression in performances. With cello (part included). Duration: ca. 4:25...

In true all-American style, fiddle and all, this lively hoedown takes you to a country barn where the musicians are squaring off to exhibit their musical prowess, making it appealing to all levels of...

This dramatic work uses the style and methods of the late baroque period as introduction to the classics. The tenor and bass parts will work well with any age, including those with changing voices. A...

Here is a new men's setting, following the enthusiastic reception of the treble choir version. The progressive style is well suited for the medieval melody from Piae Cantiones (1582). The markings are...