chœur des hommes a cappella

Written for the 2000 Texas All-State Choir, this distinctive setting of America's national anthem is an excellent choice for many performance and civic events. Available: SATB a cappella, SSAA a cappe...

This a cappella setting of a traditional South African praise song just bursts with joyful energy. Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concer...

Irving Berlin 's classic, White Christmas , in an exquisite a cappella setting. Arranged here by Kirby Shaw. Performance Time: Approx. 3:00.

The traditional Ukrainian bell carol with new a cappella lyrics by Kirby Shaw, and a jazz waltz setting that is truly unique! Available: SATB a cappella, SSAA a cappella, TTBB a cappella. Performance...

This treatment of a classic spiritual by Kirby Shaw includes the elements that always seem to work: a soulful solo, supportive choral parts that have their own interest, and new verses that are seamle...

Perfect for pep rallies, sporting events and school assemblies, the breakdown in this arrangement gives your singers a chance to get everyone in the bleachers chanting and clapping along. Rah Rah Sis...

A great piece for a moderately advanced men's choir in the barbershop style. Fun and lively, melody carried by Tenor II part. The composer invites you to use creativity with this piece.

This a cappella piece for men's voices combines two tunes into a peaceful and meditative piece.

This energetic part-song by Hungarian composer Gyorby Orban is not as difficult as it first appears and will undoubtedly become standard repertoire for male choruses everywhere.

This energetic part-song by Hungarian composer Gyorby Orban is not as difficult as it first appears and will undoubtedly become standard repertoire for male choruses everywhere.

Originally for mixed voices, here is a powerful new work for unaccompanied male chorus.

This a cappella setting for four part male chorus is a sure winner for your next concert. Also available for mixed voices (HMC1131), and two-part treble voices (HMC1390)