Tarik O'Regan : Partitions moyen

The Gloria is an excerpt from the Dorchester Canticles, where it closes the Deus Misereatur movement and the work as a whole. Dorchester Canticles was commissioned by the Bournemouth Sinfonietta Choir...

Motet for SATB Choir A Cappella, Commissioned by The Vaulkhard Choral Trust for The Choir Schools' Association and the Choir of Winchester Cathedral.

We Remember Them is an arrangement of the central section of the three movement work, Triptych, which itself represents the concatenation of two commissions.

Acallam na Senórach, by Tarik O'Regan, was co-commissioned by the National Chamber Choir of Ireland, The DeBartolo Performing Arts Center at University of Notre Dame, Indiana, and Peak Performances at...

The Ecstasies Above, commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale Schola Cantorum under the direction of Simon Carrin...

Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in...

Commissioned by the Orlando Consort. Text and melody by Guillaume de Machaut (c. 1300-1377)

The Windows was commissioned by Lincoln Cathedral to celebrate the unveiling of the restored Dean's Eye Window. The text is by George Herbert (1593 - 1633), one time Canon of Lincoln. It was premièred...

The Windows was commissioned by Lincoln Cathedral to celebrate the unveiling of the restored Dean's Eye Window. The text is by George Herbert (1593 - 1633), one time Canon of Lincoln. It was premièred...

Written for the Choir of Queen's College Cambridge, this setting of the Cantate Domino was composed to commemorate the restoration of the College chapel's historic 1892 Binns Organ. The work shares so...

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir, with funds from Arts Council England. Received its première in St Mary's Church, Dorchester in a performance on 22nd Ma...

Written for SATB chorus, brass quintet and organ.

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Written for SSAA choir, with soloists, vibraphone and electric bass guitar.

Written for SSAA choir, with soloists, vibraphone and bass guitar.

The Ecstasies Above, commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale Schola Cantorum under the direction of Simon Carrin...

The organ is played from the vocal score.

Postlude is taken from the larger work, Threshold of Light, for SATB chorus, brass quintet and organ, commissioned by the Memorial Church at Harvard University in celebration of its 75th anniversary.

Commissioned by Tim Brown and the Choir of Clare College, Cambridge.

Commissioned by Spitalfields Festival. First performed by The Orlando Consort at the Spitalfields Festival 2006.

Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St John's College, Cambridge and was premièred under the direction of David Hill in the College ch...

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissio...

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissio...

Alice Changes, by Tarik O'Regan, is a short piece for solo Violin, composed for Thomas Gould. The work progresses through a series of increasingly intricate figurations, which sit on top of the same u...