Stephen Chatman : Partitions moyen

Due North is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the...

One in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the tone paintin...

Due East is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the...

An arrangement of the second movement of Stephen Chatman's A Song of Joys. The piano accompaniment replicates pitches within an extensive set of Chinese bao gongs featured in the original version. The...

Stephen Chatman's Sunset for SSAA chorus is an arrangement from his original set, Due West for SATB chorus, commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg ring...

A reflective and quiet setting of a poem by Madison Julius Cawein.

This suite opens with Fraser River Fanfare which reflects the treacherous western Canadian river. In the second movement, entitled A Swallow in the Valley, the folk song She's Like the Swallow is the...

Night Vision was commissioned by Persephone Singers, a women's choir in Whitehorse, Yukon, directed by Barbara Chamberlin. It was premiered on May 2, 2015 at the Yukon Arts Centre in Whitehorse. This...

Stephen Chatman's Train for SSAA chorus is an arrangement from his original set, Due West for SATB chorus, commissioned by the Vancouver Chamber Choir in 1997. The simple, charming text by Tara Wohlbe...

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Stephen Chatman's setting of Sara Teasdale's whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The sof...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale ™s poem, After Love, -There is no magic any more, establishes the theme of vanishing love. Stephen Chatman ™s setting of the poignant text, in the dark key of D flat...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...