Sammy Cahn Partitions pour big band

Most notably recorded by Frank Sinatra, here is this familiar standard arranged effectively for younger bands. The style is an effortless-sounding medium swing, and this chart makes it enjoyable for l...

Big Band Vocal. The title number from the MICHAEL BUBLE album, also featured on the classic Sinatra at the Sands with Count Basie. Key Bb. Vocal range: Bb - D Trumpet range: C

Cet air a été un grand succès pour Dean Martin, et la même version a été reprise plus récemment par Robbie Williams sur son album "Swing When You're Winning". Nous avons transcrit ici la partition ori...

Here is a rare gem of a tune that will be recognized immediately by your audience and players alike. In a great swing chart for young bands by Roger Holmes, this catchy melody just makes you feel good...

Written for Frank Sinatra (and the title track of his 1958 album), this tune epitomizes the cool sounds of the swing era. Here's a smartly scored version for beginning bands, written with modest range...

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

Ce standard des années 40, souvent enregistré, se caractérise par une mélodie distinctive et des harmonies basées sur le jazz. L'arrangement habilement conçu par Michael passe par quelques changements...

Arranged in a comfortable medium swing style and featuring easy rhythms and ranges, this popular standard fits nicely in the easy level of the Little Big Band Series. Nice scoring for the entire ensem...

Arranged in a comfortable medium swing style and featuring easy rhythms and ranges, this popular standard fits nicely in the easy level of the Little Big Band Series. Nice scoring for the entire ensem...

Arranged in a comfortable medium swing style and featuring easy rhythms and ranges, this popular standard fits nicely in the easy level of the Little Big Band Series. Nice scoring for the entire ensem...

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow 'bolero' style, this outstanding change of pace number features an alto sax soloist a...

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow 'bolero' style, this outstanding change of pace number features an alto sax soloist a...

Arrangée dans un style bossa facile, voici une version efficace de ce standard du jazz du maître Benny Carter et de Sammy Cahn. Avec des partitions solides et créatives pour l'ensemble, il y a aussi d...

Arrangée dans un style bossa facile, voici une version efficace de ce standard du jazz du maître Benny Carter et de Sammy Cahn. Avec des partitions solides et créatives pour l'ensemble, il y a aussi d...

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow 'bolero' style, this outstanding change of pace number features an alto sax soloist a...

Arrangée dans un style bossa facile, voici une version efficace de ce standard du jazz du maître Benny Carter et de Sammy Cahn. Avec des partitions solides et créatives pour l'ensemble, il y a aussi d...

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Written for Frank Sinatra (and the title track of his 1958 album), this tune epitomizes the cool sounds of the swing era. Here's a smartly scored version for beginning bands, written with modest range...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

As recorded by the Count Basie Orchestra on the album Frankly Basie; Count Basie Plays the Hits of Frank Sinatra, this is a classic arrangement by Billy Byers. Byers, much like Quincy Jones, provided...