Rick Stitzel : Partitions facile

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Originally recorded by The Meters in 1969, Cissy Strut has since become a model for playing funk, recorded by both jazz and rock artists. The signature bass line is played by trombones, tenors and bar...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...

Ce premier standard de jazz de Duke Ellington se caractérise par un style blues lent et sulfureux et une mélodie merveilleusement plaintive. Écrite dans un format d'appel et de réponse, cette partitio...