Peter Dickinson : Partitions moyen

Pastorale, Blues And Homage by Peter Dickinson. Arranged for Recorder (tenor and descant) and Piano for John Turner. 1. A James Joyce Pastorale (1955) 2. A Robert Burns Blues (1967) 3. Homage to Poul...

Written for flute or oboe or clarinet and cello.

Fantasia is a work for solo Violin composed by Peter Dickinson in 1959. The first performance was during the same year, by Greek violinist Dinos Constantinides, for whom the piece was written. Accord...

Written for clarinet and piano.

The Lullaby from 'The Unicorns' arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa....

For Medium Voice and Piano. A red, red rose (Robert Burns), was written in August 1967. So we'll go no more a-roving (Lord Byron), was written March 1971 and became the principal material for the Orga...

Sonartina was composed by English composer, musicologist, and pianist Peter Dickinson in 1955.

Eight very easy pieces for the piano. Includes 'For Erik Satie', 'Bells', 'A Bit Of Syncopation' and 'Just A Waltz'.

Albums of new musical works by established British and Irish composers. For players of elementary to intermediate standard.

Dickinson Peter Variations On A French Folk Tune Harpsichord Book

Written for Counter-tenor (or Contralto) and Harpsichord. Text taken from The Signature of Pain. First performed by Owen Wynne (counter-tenor) and Alan Cuckston (harpsichord) at St. Margaret's, Westmi...

Commissioned by the Three Choirs Festival 1971 for Simon Preston.

Written for Counter-Tenor, Cello and Harpsichord. Words by Swinburne with sentences from the Latin Requiem.