Partitions pour Piano de Faber Music pour tous niveaux

Composed in 2009 for Emmanuel Ax, Thomas Adès’s Mazurkas listen to the Polish folk genre as it was listened to by Chopin, except that its rhythms and the heave of its shifting accents are now caught f...

Faber Music is thrilled to publish this previously undiscovered work for piano by Olivier Messiaen, La Fauvette Passerinette. Believed to be the first publication of a piece by Messiaen produced by a...

ff is a dazzling 3-minute work of a piano solo from one of British music’s most innovative voices, where brilliant shards of sound spectra collide with highly accented and rhythmic material in the bas...

First performed by Imogen Cooper at the Cheltenham Festival, Thomas Adès’s Traced Overhead (1995-6) unfolds in three movements of progressively increasing length. The first, ‘Sursum’ (the Latin adverb...

Humphrey Searle composed this restrained and delicate Prelude for Piano on a theme of Alan Rawsthorne in 1965. A student of Anton Webern who, together with Elizabeth Lutyens was one of the pioneers of...

John Woolrich’s Locus Solus is a 12-minute scherzando, mostly fast music placed around a still centre. Its title comes from Raymond Roussel’s 1914 novel of the same name, in which an inventor has invi...

Jonathan Harvey’s Vers was written in 2000 for the 75th birthday of Pierre Boulez. Following the double meaning of the word 'vers', this 4-minute work is a verse which leads 'towards' both a brief quo...

Moderato & Nocturne is bursting with character and charm, these engaging and accessible pieces originate from Britten’s early unpublished Sonata Romantica. Ideal teaching pieces, they offer a wide gam...

Mountains was commissioned by the Sydney International Piano Competition, 1981, with assistance from the Music board of Australia Council. It was first performed by Gabriella Pusner in Verbugghen Hall...

Nicholas Maw wrote these two cadenzas for Mozart’s Piano Concerto No. 24 in C minor, K.491 for the American pianist Sarah Rothenberg in 1991. They are reproduced here in Maw’s manuscript.

Oliver Knussen’s Variations for piano were composed in 1989 and premiered by Peter Serkin. Although they are concise – the twelve variations play for a little more than six minutes in all – the compos...

Ophelia’s Last Dance (Ophelia Dances, Book 2) is based on a melody dating from early in 1974, which was among several ideas intended for - but ultimately excluded from – Oliver Knussen’s Third Symphon...

Callabonna, composed by Peter Sculthorpe, taken from 'Three Pieces for Piano'. Arranged for piano solo in digital sheet music format. A short 4-minute work in three parts, which takes its name from a...

Djilile, composed by Peter Sculthorpe, taken from 'Three Pieces for Piano'. Arranged for piano solo in digital sheet music format. Peter Sculthorpe's 6-minute Djilile (‘whistling-duck on a Billabong’)...

Simori, composed by Peter Sculthorpe, taken from 'Three Pieces for Piano'. Arranged for piano solo in digital sheet music format. Simori is a substantial 11-minute work which is based upon a series of...

Peter Sculthorpe’s evocative 7-minute Nocturnal originated in the central section of the composer’s Piano Concerto. Sculthorpe became obsessed with the music’s calm, flowing, toccata-like figurations...

Pianists looking for contemporary repertoire that showcases both dazzling virtuosity and musical insight should look no further than these short Études Nos. 1-3 by Julian Anderson. These three brillia...

Prayer Bell Sketch is a hauntingly beautiful study in weight and measure, resonance and reverberation composed by Oliver Knussen. Lasting 6-minutes, it recollects and rearranges a few clear, bell-like...

Sonatina, succinctly composed by Peter Sculthorpe, not only is one of Sculthorpe’s first overt acknowledgements of the influence of Aboriginal culture on his music, but, taking his cues from the spars...

This fiendish 6-minute toccata by Carl Vine is not for the faint-hearted. Commissioned by the 2012 Sydney International Piano Competition of Australia, Toccatissimo is a dazzling showcase of both tech...

This highly virtuosic 15-minute work from 1967 is based on Smalley’s own Missa Brevis. Material from that earlier work is deliberately pulverised and disintegrated, before being, in the composer’s on...

Thomas Adès’s Darknesse Visible for piano solo (1992) is a 7-minute explosion of John Dowland’s lute song In Darknesse Let Me Dwell (1610). No notes have been added; indeed, some have been removed. Pa...

Toccata, Nocturne and Scherzo are a set of highly contrasting pieces from Colin Matthews’ suite of piano solo repertoire, which dates from the late 70s. From the percussive Toccata, the hushed Nocturn...

Britten composed this engaging set of Twelve Variations during his first year at the Royal College of Music, London in 1931, shortly before beginning work on his String Quartet in D Major. Like that q...

These two charming pieces – ‘Sea Chant’ and ‘The Left Bank Waltz –are dedicated in turn to the memory of Sculthorpe's housekeeper and mother. The pieces together last 4 minutes, and would make perfect...