Partitions pour Chœur mixte (SATB)

Der Text zu Stormy Seas erzählt plastisch vom Auf und Ab des Lebens, und die Musik zeichnet diese in Wellen melodisch nach. Die polyphone Satztechnik dieses variierten Strophenliedes mit Refrain biete...

Do not cry, do not fear, I will guard you! - Mit diesen Worten, die zugleich Motto der Komposition sind, stimmt der solistische Tenor in das gefühlvolle Chorstück ein. Zwischen diesem zuversichtlichen...

An Evening's Pastorale is a lullaby, first published in 1916. It has been arranged here for SATB mixed voice choir with a Piano reduction provided for rehearsal purposes. An arrangement for TTBB male...

Vocal score for Donald Swann's A Modern Te Deum for unaccompanied SATB choir. Edited by Paul Steinitz.

This Nigerian carol, sung a cappella or with optional percussion (conga, bongos, tambourines), is a remarkable piece, with the original Yoruba text throughout. A pronunciation guide is included.

This Nigerian carol, sung a cappella or with optional percussion (conga, bongos, tambourines), is a remarkable piece, with the original Yoruba text throughout. A pronunciation guide is included.

Hear Us is an introspective piece that uses poem XXIII from John Donne's Litany. One of the most beloved English poets of the late 16th and early 17th centuries, Donne's poem is both repentant and tho...

A setting for unaccompanied SATB choir. Words by Lydia Smallwood.

Forty-one classic and modern anthems for the church year. This anthology draws on over 180 years of publishing to provide an invaluable resource for parish and cathedral choirs. The selection features...

Jesu, Priceless Treasure is one of very few Bach motets which are in five parts. Of all of Bach's motets it is the longest, the most varied, and has the greatest emotional range. It is founded on the...

Five settings of texts by Alan Porter for SATB Chorus a cappella.

Described by the composer as 'a prayer for sanity, a cry in the wilderness to a god who may or may not be there', this unconventional Mass (with new words) is written in the context of a world where m...

A collection of chords for unaccompanied SATB choir, to be performed in a sequence determined by the choir leader.

Arranged for soprano solo and unaccompanied mixed voices. Commissioned by Martin Bates and the Heart Of England Singers on the occasion of their twenty-fifth anniversary.

Be Not Afeard Is A Work By John Joubert For Solo Soprano And Unaccompanied Satb Choir. Commissioned By Music Sales To Commemorate William Shakespeare's Death, The 400Th Anniversary Of Which Falls In 2...

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissio...

A first retrospective of Giles Swayne's challenging but rewarding liturgical settings. This album brings together five short religious choral settings, for mixed voices unaccompanied or with organ.

The Prince of Sleep, to words by Walter de la Mare is a languid setting, capturing masterfully the absent-minded sentiments of the words; imagery of dreams and the natural world (especiallywoodland) a...

For SATB Choir. 'I sing of a Maiden' is A Cappella.

For soprano solo and SATB chorus (unaccompanied). Words from the Pageant of the Shearmen and Tailors, Coventry, 15th Century.

For Soprano and Baritone Soli and SATB Choir A Cappella.

Arranged for solo soprano and unaccompanied SATB chorus (with divisions). Words by Sir Thomas Browne. First performed by Chichester Cathedral Choir on 17 July 1979. Duration: c. 8 minutes.

This work was commissioned by St Dunstan's College, South-East London, for the celebration of its centenary in 1988. It is an anthem, and uses a setting of Psalm 100. The work has three main sections...