Partitions pour Chœur mixte (SATB)

This warm statement of commitment celebrates the heritage of faith that is ours in the body of Christ. With the inclusion of Jesus Loves Me, the tender testimony is a portrait of certitude in a life s...

This choral song is an intimate and honest look at the walk of faith. Incorporating 'Tis So Sweet To Trust in Jesus, the text calls the listener to surrender to God's will even in times of doubt and i...

Calling the people to recollection, this anthem surrounds the listener with a positive message of God's mercy and love. An expressive tune announces this sermon of assurance with tenderness and restra...

Rich choral sonorities fill this expressive and contemporary concert setting of an e. e. cummings poem. Thoughtful vocal entrances begin the piece followed by the ebb and flow of dynamics and harmonie...

A cascading piano motif begins this work of an original text and vocals that sing like water dancing on rocks in a stream. Vocal play between voices combine in rich harmony, singing of the morning sky...

This dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The stylistic piano part may be played as written or serve as a guide, a...

This uplifting work by American composer Reginal Wright sets a text by the nineteenth-century poet Arthur O'Shaughnessy. The powerful words are sung to a memorable melody embellished with syncopation...

For SATB, strings (and winds) and organ. Two settings of Ave Verum Corpus - the Mozart setting for SATB, strings and organ and the Süssmayr setting, written a year later, for SATB, 2 oboes, 2 horns, s...

Sara Teasdale's poem about the three kings allows Sarah Quartel to create a haunting atmosphere in this folk-like carol for choir and piano. Offprinted from Carols for Choirs 6.

This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. Featuring a lilting melodic line, eloquent part-writing, and an effective piano part. Also available in ver...

This Magnificat and Nunc Dimittis setting was written for the choirs of two churches in Brighton. It was conceived to be performed by amateur choirs, and achieves this level of accessibility whilst st...

A beautifully constructed song-cycle set to poems from Christina Rosetti to WB Yeats and the sixteenth century French poet Pontus de Tyard. Exploring the themes of yearning and longing at the end of a...

Garden of Dreams sets of fragments of text by Sappho, translated by Arthur Sanders Way and A. S. Kline. Sarah Quartel has used cross-rhythms, syncopation, and flowing melodic lines to create a sense o...

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring. My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programmi...

In this spacious motet Jackson creates an original sound-world in praise of the Virgin Mary. Traditional Latin texts are combined with a Christina Rossetti poem celebrating the Annunciation.

Walt Whitman's poetry abounds in references to music and song but nowhere more so than in 'That Music Always Round Me'. Skempton's captivating setting acknowledges the serenity and timelessness of the...

Orchestral material and vocal scores are available on hire.

This beautiful anthem, set to words by Timothy Rees and the composer, celebrates God's all-encompassing love for mankind. The gentle melody introduced in verse 1 by the sopranos prevails throughout an...

A powerfully emotive setting that contrasts moments of reflection with declamatory exultation, Psalm 57 uses passages from the eponymous psalm in the King James translation. Written in 1972, it is ded...

This magnificent Easter anthem, in three distinct sections, combines text from Psalm 118 with two hymns from Hymns Ancient and Modern translated by John Mason Neale.

An exuberant song of rejoicing at the dawn, with a catchy, toe-tapping refrain of 'Cry jubilee'.

A dark and beautiful, yet also extremely approachable, work in three movements. The first two are darker in character: evening hymns that ask for protection and comfort through the night. The music li...

McDowall's Candlemas is a celebratory and powerful piece. Making use of choral divisions and suspensions and a dynamic organ part, this setting of Denise Levertov's text (on the Presentation of Jesus...

The melody of this hymn is first seen in print in 1582 from the songbook Piae Cantiones, where the words were replaced with Prudentius's poem in 1851. Orchestral scores and parts are also available. O...