Partitions pour Chœur mixte (SATB)

A definitive score for this masterpiece of Tudor polyphony, edited by Henry Washington, using reference to the original part-books in the British Museum. For Soprano, Alto, Tenor and Bass.

The composer has set Garrison Keillor's lovely words with sensitivity and care, evoking the warmth, longing and hopefulness of love. The setting allows for the choir to be driven by the natural rhythm...

I Dream a World is the third and final piece in the set, Perspectives. It is an eloquent expression of hope for a world where all of humankind treats each other with love, respect, and selflessness. T...

With lyrics reflecting upon the famous words from Lincoln's first and second inaugural addresses, this work challenges us to a higher moral ideal. Inspirational! Optional orchestration makes this work...

The first work in the set, Perspectives by Dwight Bigler, featuring poetry by Langston Hughes. A light and bouncy melody with the piano as an equal and important voice. The work captures the joy and i...

The second work in the set, Perspectives by Dwight Bigler, featuring poetry by Langston Hughes. The text expresses the wisdom and courage gained by age and passed from generation to generation. The us...

Featuring the poem Everyone Sang by Siegfried Sassoon, written shortly after the end of World War I, Armistice 1918 is a celebratory work stemming from themes of victory and revolution. Challenging ye...

A truly special and evocative poem by Hildegard von Bingen set masterfully by the composer. The piano acts as a fifth voice with the choir, often representing the circling of the mysterious firey forc...

A dynamic Walt Whitman text that celebrates the joys of music. Exploring many themes and styles, this is a fantastic honor choir or festival selection from David Dickau.

Featuring text in English, Latin, and Swahili, Kwa Wote Upendo expresses sentiments of love, joy, and peace in all three languages. The fresh compositional voice of Julian Reisenthel expresses these w...

Winner of the 2014 Raymond A. Brock Student Composition Competition, Spells of Herrick emplores a mysterious and provocative text by 17th century poet Robert Herrick. The vocal writing is extremely ex...

Here is set the traditional text from Luke with a joyous and energetic musical vocabulary that will challenge the best collegiate and professional choirs.

Oh my, this one is fun! The Dance of the Heart is the title in English, and this heart is on fire. With maracas and bongo accompaniment the choir sings the words that describe a beautiful dancer. Befo...

Premiered at the ACDA Western Division conference and released as an SSAA selection, the cry for an SATB setting was immediate. The Emma Lazarus text is a powerful poem celebrating our Statue of Liber...

Scored for SATB divisi chorus with piano, this exquisite setting of the traditional Gaelic Prayer, vividly presents the initial image of longing and unrest to the ultimate resolution of assurance that...

If you are looking for a piece for your next ecumenical service, this is it! Sung in both Hebrew and English, Cantor Contzius has written a lovely melody for this ubiquitous yet timely text, and the a...

Abide by Dan Forrest for SATB choir with Piano accompaniment. This work features words by Jake Adam York.

The beautiful Matheson text is most often set to the St. Margaret hymn tune as it is here. The lovely arrangement by composer John Cornish truly captures the spirit of the text, underlines the mixed d...

Composer Brandon Boyd makes extensive use of syncopation in many of his pieces. In this energetic Negro folk tune set for mixed divisi chorus with solo, piano, and optional string bass and percussion,...

This beautiful traditional melody recieves a new twist with the jazz chords and expressive devices of composer Raymond Wise. A great concert work for college/university ensembles, the piece could also...

This text welcomes the long-awaited arrival of the railway system and the benefits it will bring, bidding good riddance to the slow, rough-riding stage coaches of the era. The music has a folk-inspire...

Here is a song of happiness set in a minor key. The harmonic language acknowledges that we can't have joy without recognizing its opposite. The undertones point out that this is not just an exultation...