Partitions pour Chœur mixte (SATB)

Glorious polyphony soars in this edition of Victoria's O Magnum Mysterium. Long melismas and fugal entrances are part of the beauty of this great Renaissance work. For contest, festival or concert use...

Glorious polyphony soars in this edition of Victoria's O Magnum Mysterium. Long melismas and fugal entrances are part of the beauty of this great Renaissance work. For contest, festival or concert use...

This dynamic setting of the well-known Latin text is exciting and uplifting. Creating walls of sound that alternate between men's and women's voices, the composers use rhythmic drive and dynamic varia...

This dynamic setting of the well-known Latin text is exciting and uplifting. Creating walls of sound that alternate between men's and women's voices, the composers use rhythmic drive and dynamic varia...

This traditional holiday favorite comes alive in an exceptionally creative a cappella setting from Jeff Funk. It's the perfect sequel to Jeff's highly successful 'Dance of the Sugar Plum Fairy.' Sure...

What would you expect from Kirby Shaw except an extremely creative and energetic setting of the traditional spiritual 'Rock-a My Soul.' It's fresh, it's fun, and it will bring down the house every tim...

The folksong The Devil And The Ploughman (The Sussex Whistling Song) arranged by Betty Roe for unaccompanied SATB choir. Duration: approx. 2 1/2 minutes.

A glorious setting by Betty Roe, of this 15th Century text for unaccompanied SATB Choir. Piano line is inlcuded for practice purposes only.

The title piece and fourth movement of Betty Roe's Music's Empire for unaccompanied SATB chorus with solos. Based on a Poem by Andrew Marvell.

Sweet Thames, Flow Softly is a tremendous unaccompanied part-song for SATB choir by Betty Roe with words by Ewan MacColl. A brisk, flowing pace accentuates the meandering of the river through London t...

Four simple songs for unaccompanied SATB choir by Geoffrey Bush. These pieces were written between 1961 and 1965 with the aim of providing additional repertoire for amateur choirs and lighter material...

Three picturesque part-songs for unaccompanied SATB choir by Geoffrey Bush.

A glorious collection of folksongs from Britain and Ireland, arranged for unaccompanied SATB choir by Louis Halsey.

A part-song for unaccompanied mixed voices by George Dyson. Based on a poem by Robert Herrick.

A tongue in cheek and humorous mock Madrigal by the supremely talented Betty Roe. Based on a traditional early English song This work for unaccompanied SATB choir is sure to bring a smile to the faces...

Six adorable settings of the writings by Jacqueline Froom, describing some of our domestic friends from the animal kingdom. The suite was commissioned by the Reading Phoenix Choir in 1999, and will de...

A 22-minute, 9-movement work taking its text from various Requiem sources and teh BCP Funeral sentence. Each movement can stand alone (effectively creating 9 anthems), or the whole can be used for con...

I toiled hard on this, being the 8th movement of Requiem Aeternam (TKM201)! It was worth it though because here is a piece of immense power! TKM818, which is the first movement of this piece is now fe...

Written for an Icelandic chamber choir, this is one of Tim's most popular pieces and has featured in the London Festival of Contemporary Church Music. Now also featured in a set of 3 Latin Motets with...

This is a gentle setting of this text suitable for concerts by Simon Mold.

Beati Mortui is a short motet which is suitable for memorial / remembrance concerts or services for Mixed Voices. The text is "Blessed are the dead who die in the name of the Lord, een so saith the sp...

David Darling's arrangement of this lovely Irish Air is ever popular.

Flowing and melodic. Written for Cadenza Choir in Driffield, East Yorkshire and suitable for liturgical or concert use.