Partitions pour Chœur mixte (SATB)

Based on Psalm 139, this beautiful and expressive tender hymn begins with unison upper voices and builds into four-part harmony.

Carey's arrangement is rich and impassioned, with a call-and-response soprano solo and some intense dynamic shifts.

For unison voices or SATB either unaccompanied or with organ. This anthology selects 24 psalms from across the Church's year and presents them in sparkling new English translations which match the ori...

For SATB unaccompanied. This lush setting of a text by John Donne is particularly appropriate during Lent but is also suitable for general use.

This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It is an accessible work whose opening bars suggest the gentle undulation of a stream. The exquisite tune receives v...

For SATB with divisions unaccompanied. This beutiful canticle sets a text by the distinguished American hymn-writer Thomas Troeger. Suitable for Easter and throughout the year.

For SATB with divisions unaccompanied. This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It enlivens Troeger's already joyful text with an exciting 7/8 rhythm and a t...

For SATB unaccompanied. This short, contemplative anthem serves as an ideal introit for church services or as a short mediation piece at Communion during Lent. This contemporary setting presents the t...

For SATB unaccompanied. These short motets (Bread of Heaven and Bread of the World) are accessible by any church choir. The text makes them appropriate for any time during the church year, but they co...

For SATB with divisions, unaccompanied Choirs will enjoy singing the lush, expanded harmonies in this short, breathtaking anthem. The fourteenth-century text is used widely during communion, but is al...

For SATB unaccompanied. No. 1 of Three Spirituals. This lively spiritual setting is perfect for all choirs looking to energize any church service or concert. A chromatic modulation jump starts each ne...

For SATB unaccompanied. In this haunting and plaintive setting of the classic spiritual, Warren creatively evokes a stark tone of loneliness and despair with descending chromatic inner voices in the o...

For SATB unaccompanied. Right from the first bar, this upbeat, refreshing arrangement of the African American spiritual will catch the attention of the performer and audience. Culminating in six-part...

For SATB unaccompanied. This is a lush setting of three poems by Sara Teasdale who, in 1918, won the precursor to the Pulitzer Prize for Poetry. This piece would make a welcome addition to the reperto...

Oxford Music from Canada is a new series of choral pieces by significant Canadian composers that reflect the themes and texts of Canada. for SATB unaccompanied Chatman captures the true spirit of a lo...

For SATB unaccompanied. The music opens with 'oos', and, after a pause, the choir enters, singing in Latin, sempre legato. Bassi writes lush choral lines with suspension after suspension, which result...

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

For SATB unaccompanied. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the...

For SATB Choir a cappella. Arranged by J. Michael Diack.

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke'...

For S.A.T.B., a cappella (English text)

S.A.T.B., a cappella

For S.A.T.B. Chorus, a cappella

For S.A.T.B. Chorus, a cappella

For SATB, divisi, a cappella - Set to the Original Hebrew Text, For a cappe