Partitions pour Chœur mixte (SATB)

Jackson's work couples the expressive language of a medieval Latin hymn with the Collect for St Margaret of Scotland. The use of hockets and isorhythms give the music a deep medieval grounding, whilst...

This work sets a poem by George Meredith. The poem, Winter heavens, begins as a winter landscape, before coming richer, stranger and more metaphysical. Winter heavens was premiered in December 2011 by...

SATB unaccompanied Let nothing trouble you is a striking and atmospheric setting of a prayer by the Spanish mystic, St Teresa of Ávila. This work is both comforting and meditative, reflecting the mood...

O Gracious Light is a tender and reflective work setting an English translation of a Greek third-century text. With rich, four-part harmonies and flowing melodic lines, this intimate work will be enjo...

This edition of the Salve Regina by Portuguese composer Diogo Dias Melgás (1638-1700) is the first published version of the work, which has previously only been available in a library edition. Suitabl...

This is a stirring arrangement of the gospel classic I am on the battlefield for my Lord by Robert L. Jefferson for unaccompanied mixed voices, with two idiomatic solos. Jefferson's characterful arran...

Commissioned by the Church of the Immaculate Conception, Farm Street, London, this a cappella setting of the 4th Century Latin prayer is a hymn of praise to the Virgin Mary.

Bright, electric, and charged with energy, this setting of one of the seven Advent 'O' Antiphons features Jackson's characteristic flourishes of melodic ornamentation, tempered by moments of calm from...

Here is the ring I have made for My Lady Poverty This reflective setting of an evocative text by Charles Bennett uses pastoral and romantic imagery to depict the beauty of a life free from the desire...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana...

Commissioned by the London Festival of Contemporary Church Music, this short work sets the Eucharistic hymn by Thomas Aquinas. It starts with an expressive, rhythmic soprano line, and finishes with a...

A short anthem setting the Lord's Prayer in the version of the text from the First Prayer Book, hence the unusual spelling. This was premiered at the Brighton Festival in 2012.

In this unaccompanied setting of Thomas A. Clark's poem, Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms, textures, and dynamics, this is a...

A short Mass setting for unaccompanied chorus, written for the Exon Singers recording, The Cloths of Heaven, on Delphian Records.

Here Jackson sets early Christian texts by St Augustine of Hippo, Baldwin of Forde, and St Mary Magdalene de Pazzi alongside words by Estonian poet Doris Kareva. Each movement offers a change of mood,...

Setting a fifteenth-century English text containing some short Latin passages, this is a joyful, dance-like carol with a medieval feel. The spirited, lilting melody begins in the sopranos and altos bu...

'Rigwreck' sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions in up to eight parts, a wide range of dynamic expression, spoken lin...

This is a simple and elegant miniature in characteristic Skempton style, with graceful choral homophony, seamlessly fluctuating time signatures, and hypnotic, meandering harmonies. The text, by Willia...

O Sapientia is a tender setting of one of the seven Advent 'O' Antiphons. The rhythmic unison in this chorale-like setting brings an element of purity and calm, typical of Skempton's musical language.

Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.

Setting a stanza of Tennyson's monumental and profound poem In Memoriam A.H.H., Jackson's work deals with reflections on loss and grief.

This work presents two contrasting yet coherent motets: The joyful 'Confirma hoc Deus', with its jubilant, melismatic motif; and the solemn 'Factus est', which features aleatoric sequences set against...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...

This joyous, dance-like setting of Edward Lear's famous nonsense poem 'The Owl and the Pussy-cat' is taken from Rutter's Five Childhood Lyrics, a collection of unaccompanied pieces inspired by rhymes...

This paean to the divine creation of the world sets part of the Benedicite text from the US Book of Common Prayer. The four unaccompanied voice parts are used to great effect, with phrases often begin...