Partitions pour Chœur mixte (SATB)

This beloved American folk lullaby incorporates the repeated word hush-a-bye throughout the arrangement, creating a sweet and calming effect as the melody weaves in and out between the different vocal...

Jon Washburn has crafted a lush and dramatic setting of this traditional Japanese folksong. Using the choir as a traditional Japanese stringed folk instrument, Jon sets the mood with a gentle vocal ac...

Jon Washburn has crafted a lush and dramatic setting of this traditional Japanese folksong. Using the choir as a traditional Japanese stringed folk instrument, Jon sets the mood with a gentle vocal ac...

THE GIFT WAS CREATED WITH THE LONG, WARM REVERB OF A CATHEDRAL IN MIND. THE REQURED THE COMPOSER TO CREATE SPACES IN THE MUSIC WHICH LEAVE ROOM FOR ECHOING RESONANCE. IT IS DREAMLIKE AND IMPRESSIONIST...

Setting the Wendell Berry To My Mother but incorporating it for his parents, Joshua Shank portrays the sense of wandering and confusion in the early sections of his music but ultimately finds the reve...

Setting the Wendell Berry To My Mother but incorporating it for his parents, Joshua Shank portrays the sense of wandering and confusion in the early sections of his music but ultimately finds the reve...

Using the sturdy but lilting Shaker tune, Jeffrey Douma has crafted a beautiful a cappella setting appropriate for any good high school or college choir. With a text that is as important today as it w...

Using the sturdy but lilting Shaker tune, Jeffrey Douma has crafted a beautiful a cappella setting appropriate for any good high school or college choir. With a text that is as important today as it w...

Donald Grantham has set the beautiful and descriptive Jane Kenyon Poem in a serene and gentle musical pallet. With lush harmonies and much rubato within a slow tempo, this is atmospheric in its final...

Donald Grantham has set the beautiful and descriptive Jane Kenyon Poem in a serene and gentle musical pallet. With lush harmonies and much rubato within a slow tempo, this is atmospheric in its final...

These three choral vignettes are inspired by the whimsical poetry of Emily Dickinson. All three pieces require a free play of fancy and imagination. Using extended, aleatoric passages, non-metrical an...

Long, legato lines and shifting tonal centers describe this setting by Matthew Emery of this famous James Joyce poem. Speaking of the power of both love and music and how they intertwine and collide,...

Long, legato lines and shifting tonal centers describe this setting by Matthew Emery of this famous James Joyce poem. Speaking of the power of both love and music and how they intertwine and collide,...

From the pen of rapidly rising young composer Matthew Emery and winner of the 2013 ACDA Raymond W. Brock Memorial Student Composition Contest, this a cappella setting of the Robert Herrick poem is a b...

Five popular spirituals, arranged for a cappella SATB chorus. Includes Piano part for rehearsal purposes.

The traditional Scottish folk tune O Jeanie, There's Naething To Fear Ye arranged by Gregg Smith for SATB choir a cappella.

The Silver Swan by Gregg Smith for SATB choir a cappella.

This famous Schirmer edition, now newly engraved, displays the simple line and homophonic textures for which de Victoria is known. Available separately, the VoiceTrax CD offers part-predominant tracks...

Maurice Duruflî (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct, it is almost chantlike in its melodic purity. Originally written for unison...

With a text from the Celtic collection Carmina Gadelica these words speak directly from the heart, in simple and poignant language that is so often a creative departure from mainstream religious writi...

Written for the 100th anniversary of the St. Olaf choir, this work is commensurate with ability of one of the great choirs in America. The music makes consistent use of divisi texture, expansive arcs...

Jonathan Tunick has long been regarded as Broadway's preeminent orchestrator and he has been Stephen Sondheim's primary orchestrator from the beginning of his career. He is also a skilled and versatil...

Jonathan Tunick has long been regarded as Broadway's preeminent orchestrator and he has been Stephen Sondheim's primary orchestrator from the beginning of his career. He is also a skilled and versatil...

This beautiful text from Ovid's Metamorphoses speaks of the creatures named for the time they first appear: vespertilians (bats). Not scary or to be feared, rather, here they slip into shadows with tr...

This beautiful text from Ovid's Metamorphoses speaks of the creatures named for the time they first appear: vespertilians (bats). Not scary or to be feared, rather, here they slip into shadows with tr...