Partitions pour Chœur mixte (SATB)

For SATB unaccompanied with short passages for soprano solo or semi-chorus.

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment. Also available in a version for SSAA...

An Elemental Elegy a été commandée par l'ensemble mondialement reconnu voces8 pour son CD "After Silence", qui sortira en juillet 2020 à l'occasion du 15e anniversaire de l'ensemble. Mårten Jansson ex...

When Love Speaks is a piece composed by Owain Park, for his cycle 'Shakespeare Love Songs', commissioned by The Maesbury Singers. This work is arranged for Unaccompanied SATB Choir. The cycle 'Shakesp...

Viktor Ullmann a composé ses arrangements choraux de chansons hébraïques, yiddish et hassidiques dans le ghetto de Theresienstadt en 1943/1944. En tant que "chef du studio de musique nouvelle", Ullman...

Originally published in Sun, Moon, Sea, and Stars, this piece sets a poem by Sara Teasdale that likens a heart seeking its love to a swallow's cry. Chydenius's rich harmonies, syncopated melodies, and...

This uplifting anthem sets the Invocation text from Carmina Gadelica. McDowall's beautiful melodies flow and intertwine, decorated by scotch snaps that reflect the text's origin. Suitable for services...

Fluid vocal lines and a sensitive text both shine in this powerful, yet heartfelt, recollection of a loved one no longer here with us. Perfectly capturing the essence of love that lives forever, it is...

This set of Preces and Responses, including the Lord's Prayer, will be enjoyed by all seeking new material for the liturgy. The largely syllabic four-part setting harks back to the music of the great...

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminesc...

From the collection Mack Wilberg Anthems, 'Beautiful Saviour' is Wilberg's arrangement of a 12th century melody to create this reverent hymn. Scored for SATB unaccompanied, this gentle, worshipful pie...

The Songs of Farewell are among Hubert Parry's greatest achievements, and have found a secure place in the repertoires of chamber choirs and ecclesiastical choral foundations. While not all are devoti...

This vibrant setting of Isaiah 9:6 draws on the rhythms and textures of modern Nigerian art music. The predominantly homophonic texture is interspersed with solo lines, in a setting full of dynamic co...

Bird Raptures, un ensemble de trois pièces qui s'inspirent stylistiquement du partong du XXe siècle, a été composé pour St Martin's Voices au printemps 2025, spécialement pour le premier album de Lucy...

Das Vaterunser als höchstes Gebet des Christentums wird hier in einem schlichten, aber nicht banalen Satz von Javier Busto vorgelegt. Das Werk beschreibt einen sehr ruhigen, demütigen und leisen Chara...

Composition de Rihards Dubra pour chœur de voix mixtes sans accompagnement avec texte en latin.

There is an unrelenting confidence in this anthem which affirms the faithfulness of God in the life of the believer. This joyful declaration of hope is set to a vigorous musical concept, with a rhythm...

We know Kirby for his jazzy arrangements of every style. With this original he recreates the sound of bagpipes and makes them better with jazzy harmonies, independent vocal lines and NO DRONE. This is...

Two prayers of St. Edmund, beautifully set for 'a cappella' choir. Technically, this piece is well within the grasp of most choirs and would make a memorable concert work, anthem or introit.

Morten Lauridsen's setting of Chanson Eloignee arranged for unaccompanied SATB choir. Lauridsen was commissioned by the Pacific Chorale (Directed by John Alexander), to write an a capella work for the...

This expressive Irish ballad from the king'singers' repertoire has now been adapted for SATB ensembles. Available: SATB divisi a cappella. Performance Time: Approx. 3:00.

Hungarian composer Gyorgy Orban arranged this Shakespeare text for a cappella mixed voices, works well with high school or adult choirs.