Partitions pour Chœur mixte (SATB)

Antiphon at second vespers on the feast of the Immaculate Conception.

Ce motet facile est un accompagnement de Lullaby for Lucy (ISMN 979-0-060-03760-3), écrit à l'occasion de la naissance de Lucy Rendall, le premier enfant né depuis 32 ans à Rackwick, sur l'île de Hoy...

The movements set are Kyrie, Gloria, Sanctus and Benedictus (together), Acclamation and Agnus Dei. With the inclusion of a Gloria this is a more extended setting than the St Anne's Mass, and the canto...

Chorpartitur.

Chorpartitur - mit unterlegtem Klavierauszug.

A highly effective and extremely straightforward setting of a text from an inscription over the door into a Jesuit church in Glasgow. The piece begins with a forceful SATB prayer in English (perhaps i...

With words by Robert Burns, the melody used in this setting is an entirely new one, but one which is somewhat reminiscent of an old Scottish air.

This setting of the familiar Cantate Domino text is full of rhythmic vitality and forward momentum. Enjoy the playful metric surprises!

O come, O come Emmanuel is the first movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological o...

Now thank we all our God is the third movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronological...

Let us break bread together is the fifth movement of the work Millennial Suite: Hymns through the Ages. The work's six movements make imaginative use of popular hymns that are presented in chronologic...

A setting of The Creation by James Weldon Johnson (1871-1938) from his collection of poetic sermons, “God's Trombones,” this work is in keeping with the style of the poem, flowing freely t...

Beginning in mysterious darkness and progressing through brightness to exultation, this first of Raminsh's 'Two Visionary Songs' is a luminous gem.

The second of Two Visionary Songs, this piece treats the words of medieval mystic Mechthild of Magdeburg to fluid, dance-like melodies progressing from wistfulness to passionate ecstasy.

Vividly capturing the imagery of Matthew Arnold's poetry, this work was commissioned by the Yale Glee Club.

Richard Hundley, beloved by vocalists for his elegant art songs, has set one of his most popular songs for SATB chorus. Jose Garcia Villa's poem turns playful variations on the words “moonlight&...

Written for the 20th anniversary of the CME Institute, A Living Song serves to honor and reflect on the passion for music that CME has instilled in countless singers throughout the years.