Partitions pour Chœur mixte (SATB)

Commissioned by Reigate & Redhill Choral Society to mark their 75th anniversary and inspired by Julia Nelson and the people of Shere village. First performance: 13th November 2016 in Dorking Halls, Su...

A beautiful setting of the 'Agnus Dei' to a choral arrangement by Gavin Carr (Paul's brother) of Paul's well-loved 'Air for Strings'. The SATB choir can be accompanied by organ (or piano) or strings....

Scored for SATB choir and orchestra, this lovely new setting of the Stabat Mater was commissioned by the English Arts Chorale. It is in six sections. The 'Stabat Mater' is my third large-scale religio...

A setting of 'Ubi Caritas' for mixed voice choir (SATB) with Cor Anglais and String Orchestra, commissioned by and dedicated to Janet Haney and the Jubilate Choir. Ubi caritas et amor, Deus ibi est. C...

Orchestration: Flute, 2 Oboes (2nd db Cor Anglais), Bassoon, Horn in F, Trumpet in C, Bass Trombone Strings (Violin 1, Violin 2, Viola, Cello, Bass) Soprano solo, Mixed Voice Choir (SATB) In 2014 the...

A beautiful anthem for mixed voice choir and organ using a text by Henry H Barstow. The music is a version of the second of Paul Carr's 'Old-Fashioned Love Songs' (GM263) 'Duration 4 minutes'

For full mixed SATB Choir and Piano or Organ accompaniment. Arranged by Peter Tchaikosky, this English version by Nathan Haskell Dole.

For SATB Choir and Organ, edited by Carl F. Mueller.

A delightful setting of the Psalm 67 by John Ness Beck, for SATB Choir with Organ or Piano accompaniment. The piece begins in a gentle, reverent tranquility with hushed dynamics, gradually building in...

For SATB Choir and Organ.

Felix Mendelssohn's Come, Let Us Sing Op. 46 is a setting of the 95th Psalm, and available here is the vocal score for Tenor solo, SATB Chorus and Piano reduction.

The scale of Berlioz's choral settings broke new boundaries in Orchestration and musical forces. The work is written for triple SATB chorus with Tenor soloist. This vocal score edition features a Pian...

For Four-Part Chorus of Mixed Voices with Piano Reduction of Orchestral Score.

This was Haydn's penultimate Mass, composed in the summer of 1801 as a central part of the name-day celebrations for Princess Marie Hermenegild Esterhazy. Written for SATB chorus and accompaniment. Th...

The Organ score for this classic work, with Latin and English text, edited for SATB and Organ by Norris L. Stephens.