Partitions pour Chœur mixte (SATB)

Jesus, Springing is a beautiful and tender carol that sets a text by Kevin Crossley-Holland. Tuneful and imitative vocal lines combine with a gently flowing keyboard part to create a delightful Christ...

Horatius Bonar's well-known hymn Beloved, let us love is a perfect text for wedding services, expressing the belief that it is only through loving others that we can know God's love for us. Bullard's...

In this arrangement of the traditional Irish hymn, Rutter sets the 8th-century text (in its English translation) to the Irish folk melody known as Slane, the tune to which it has been sung since 1919....

The King of Love My Shepherd Is sets Psalm 23 to an arrangement of the Irish traditional melody St. Columba. Rutter keeps the first three verses largely in unison, alternating between male and female...

This setting of St Benedict's 6th-century prayer begins with a gentle recurring figure in the keyboard, building to a rousing climax. The primarily homophonic texture allows the timeless text to shine...

How excellent is an upbeat and celebratory work setting the composer's own paraphrase of Psalm 8. It features exciting and declamatory opening and closing sections with a contrastingly calm and legato...

Opening out from a lyrical exchange between unison lower and upper voices, this anthem is based around a John Tauler poem rich in metaphorical language that reflects on the protagonist's relationship...

This uplifting setting of words from Psalms 24 and 118 is bold and energetic, whilst still easy to prepare. Passages for unison voices flower into harmony over a supportive accompaniment for piano or...

Epiphany takes for its text a translation of two verses by French hymn-writer Charles Coffin, augmented by a newly written verse by Chilcott's long-time collaborator Charles Bennett. The result is a c...

This Easter carol is based on J. M. Neale's translation of the Latin Piae Cantiones and occupies a captivatingly exotic soundworld. Sheehan's setting is in strophic form, with a texture that builds fr...

This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir under...

In his setting of this German hymn, Rutter keeps the voices largely in rhythmic unison, skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arra...

A gentle setting of Psalm 84 taken from John Rutter's larger work Psalmfest.

First published in New Oxford Easy Anthem Book, this joyful anthem sets the text of Psalm 148, featuring changing metre and bright keyboard accompaniment. It is suitable for thanksgiving and praise, o...

From the collection Bob Chilcott Anthems 2, 'The Lord's my Shepherd' is Chilcott's original setting of Psalm 23, scored for SATB and piano. Serene and flowing, this beautiful melody captures the atmos...

This affecting setting of the well-known poem from George Herbert's The Temple features rich harmonies and sweeping melodies to create a work of depth and poignancy. The piece begins with an instrumen...

This uplifting and highly effective arrangement of the popular Stanford hymn-tune ENGLEBERG, to words by Fred Pratt Green, was commissioned by the Broadway Baptist Church (Fort Worth) in Texas, and la...

Setting a text by Marc Bratcher, I too shall walk to Bethlehem depicts a journey to the Bethlehem stable 'where once a child was born', recounting the strength, courage, and heart acquired from the en...

Cet arrangement de "O Jesulein süss", un choral écrit pour la première fois par le compositeur allemand Samuel Scheidt (1587-1654), puis arrangé et popularisé par J. S. Bach, reprend un texte anglais...

La mise en musique poignante par Quartel d'un texte d'Angier Brock nous invite à réfléchir à la manière dont nous accueillons l'imago dei chez les autres. Douce et accessible, mais captivante de bout...

The exuberant chorus from Messiah. The orchestral material is available on hire.

Surtout connu pour ses opéras comme Manon (1884) ou Werther (1892), Jules Massenet (1842-1912) a également écrit des suites d'orchestre et une abondante production vocale et chorale, dominée par ses n...

Aujourd'hui surtout connu pour sa musique pour orgue, Alexandre Guilmant (1837-1911) fut en son temps un organiste et un improvisateur réputé. Cette litanie en sol mineur, que seul Kurt Lueders fait f...

Surtout connu comme compositeur d'opéras (Faust, 1859 ; Roméo et Juliette, 1867), Charles Gounod (1818-1893) a également écrit un important corpus de musique religieuse témoignant de sa foi catholique...