Partitions pour Choeur mixte (SATB) et Piano de haute qualité

This setting of Cesar Franck's exquisite Latin hymn will enhance many concerts with a high, floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe, harp and string...

This setting of Cesar Franck's exquisite Latin hymn will enhance many concerts with a high, floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe, harp and string...

Here's an anthem of assurance and affirmation of faith. The beautiful piano and solo violin accompaniment adds richness to the overall effect. This I know, I Have a Savior, Jesus Christ, Who Died for...

For Pentecost season, this reverent work can be performed with a flute or any other 'C' instrument

Lovely new version of the beloved Psalm set gracefully by Valerie Showers Crescenz for mixed voices, flute, and piano.

This piano prelude was played at the funeral of Frederic Chopin. Here, composers Green and Crescenz take the well known from Psalm 130 and provide an amazing expression of 'from the depths, I have cri...

Uses: General, Lent, Pentecost Scripture: I Kings 19:11; Psalm 46:10 The still small voice that is the ministry of God's Spirit in our hearts is compassionately presented in this Dengler masterpiece....

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

For SATB, organ, and second organ or piano or harp. Taken from Rutter's edition of Faure's Requiem, this angelic Sanctus features both the original French words and an optional English text. John Rutt...

For SATB, organ, and second organ or piano or harp. Taken from Rutter's edition of Fauré's Requiem, this angelic Sanctus features both the original French words and an optional English text. John Rutt...

This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral writing features fugal counterpoint and a chromatic soun...

In a style influenced by Vaughan Williams and Finzi, this work evokes a reflective and sometimes other-worldly atmosphere. The seven movements may be sung as individual pieces. The text is in Latin fo...

SATB, flute, and keyboard. Dicie uses movement in the accompanying vocal lines to add motion throughout this familiar hymn as the upper voices carry the melody. The text is based on Psalm 23.

Des lignes vocales majestueuses et un majestueux obbligato de cor français s'associent à un texte émouvant dans cet appel passionné à la justice combiné à une foi tranquille et inébranlable.

Stately vocal lines and a majestic french horn obbligato combine with a moving text in this impassioned call for justice combined with a quiet, steadfast faith.

Kantate zum Fest Mariae Verkündigung. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Horn (2), Oboe (2), Streicher, Orgel/ Basso continuo - Klavierauszug; Urtextausgabe

La cantate "Wie schön leuchtet der Morgenstern" (BWV 1) a été composée le 25 mars 1725, alors que la fête de l'Annonciation coïncidait avec le dimanche des Rameaux. Le librettiste inconnu a conservé l...

La cantate "Ich hatte viel Bekümmernis" a été composée vers 1713 et a probablement été jouée pour la première fois par le compositeur la même année à la Liebfrauenkirche de Halle. Ce n'est probablemen...

Bachs Kantate zum 1. Sonntag nach Trinitatis, erstmals aufgeführt im Jahr 1726, gehört zu den musikalisch reizvollsten Kompositionen des Thomaskantors. Der opulent angelegte Eingangschor veranschaulic...

La cantate de Bach pour le premier dimanche après la Trinité, créée en 1726, est l'une des compositions les plus séduisantes du cantor Thomas. L'opulent chœur d'ouverture illustre de manière programma...

Die Entstehung der Kantate 'Lobe den Herrn meine Seele' BWV 143 liegt weitgehend im Dunkeln. Als einzige Quelle galt lange Zeit eine Abschrift aus dem 19. Jahrhundert. Diese lag auch dem Notentext der...

Les origines de la cantate Lobe den Herrn meine Seele BWV 143 sont largement inconnues. Pendant longtemps, une copie datant du XIXe siècle a été considérée comme la seule source. C'est également sur c...

Réduction pour piano d'après le texte original de l'édition Haendel de Halle (allemand/anglais) - Vocal Score based on the Urtext of the Halle Handel Edition. (français/anglais). Soprano solo, Alto so...