Partitions musique sacrée

Alan Hovhaness' setting of Psalm 83:1, Keep Not Thou Silence, for SATB choir a cappella.

Une mise en musique du Psaume 67 pour SATB (divisi) Choir A Cappella.

One of the masterworks of 16th Century sacred music, this elegant motet offers a deeply emotional experience as the phrases unfold in a rich outpouring of sound. Available separately: SATB, VoiceTrax...

This short a capella motet, a setting of Psalm 51, requires a five-part chorus (SATBB). Edited by John Finley Williams, the motet can be performed in English or German and includes a piano reduction f...

Music especially suitable for Easter. 'Tis Finish'd! by Dr. Stennet. Hymn tune 'Munich' from 'Christian Psalmody' (1815). Adapted by Alice Parker and Robert Shaw for SATB choir acappella.

SATB arrangement of the 'Easter Anthem' by Williams Billings, America's first significant home-grown composer. With optional piano accompaniment for rehearsal.

Scottish Melody arranged by Robert Shaw and Alice Parker. The words are the English translation of an Orthodox Hymn.

For SAATBB Choir A Cappella. With choice of English or Portuguese texts.

Anthem for Mixed Voices A Cappella. Text from Psalm 25.

Arrangment for SATB Choir A Cappella by R. Baldwin.

Bruckner's simple but profound motet is reminiscent of the Renaissance masters, but with a harmonic palette firmly placed in the Romantic era. The Latin text comes from the Mass celebrated at the dedi...

A Setting of Psalm 100 for Four-Part Chorus of Mixed Voices A Cappella. Edited by Boyd Bacon. English text provided as alternative.

Henry Cowell's Psalm 121 for four-part Chorus of Mixed Voices a cappella.

For Double Choir A Cappella. Text: Gerard Manley Hopkins

The composer of the popular Shakespeare Songs brings us this simple and eloquent new setting of the well-known prayer.

From Psalm 137, By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion, this a cappella motet is filled with longing and deep emotion. Performance Time: Approx. 5:00

This work for mixed chorus and semi chorus of the text from Ruth 1:16-17 and texts from Proverbs 30:18-19 and Psalm 139:6 is a rich, largely homophonic setting that expressively portrays Ruth's famous...

This work for mixed chorus and semi chorus of the text from Ruth 1:16-17 and texts from Proverbs 30:18-19 and Psalm 139:6 is a rich, largely homophonic setting that expressively portrays Ruth's famous...

Part of a larger work, Requiem for Peace, this piece was built on a cantus firmus melody by Kuni Murai and honors the suffering civilians of the world who have been caught in the cross fire between wa...

The Ave Maria has been sung, chanted and prayed in churches, cathedrals and cloisters since before the Middle Ages. This setting, which includes quotations from the plainsong chant, depicts the voicin...

One of the four Marian antiphons, this devotional text has been sung in monastic choirs for centuries. This setting features a homophonic texture and a simple ABA form. Duration: ca. 4:15.

With homage to Bruckner and Messiaen, the gentle phrases and rich harmonies of this contemporary Latin setting will resonate throughout your performance space. 'Sleep, Jesus. Thy mother smiles when sh...

Kirke Mechem's choral works consistently reflect his ability to create memorable, meaningful and artistic experiences for performers and audiences. The first in the set, I Will Sing Alleluia, is writt...

Kirke Mechem's choral works consistently reflect his ability to create memorable, meaningful and artistic experiences for performers and audiences. The first in the set, I Will Sing Alleluia, is writt...