Partitions musique sacrée

La magnifique Prière de Hanna Havrylets a fait l'objet d'une attention particulière ces dernières années, tant dans les versions chorales qu'instrumentales, ce qui constitue un merveilleux hommage à l...

Arrangement pour chœur mixte a cappella. Les symboles d’accords notés offrent la possibilité d’interprétations créatives alternatives.

Uses: General, Concert, Benediction Scripture: Romans 15:13 This final blessing for worship or concert usage is a delicate choral tapestry filled with tender beauty and exquisite sonic moments. The te...

Based on a Galliard by the Elizabethan composer Antony Holborne, this adaptation for voices includes a festive text that will be ideal for madrigal dinners, concerts and holiday programs.

Based on a Galliard by the Elizabethan composer Antony Holborne, this adaptation for voices includes a festive text that will be ideal for madrigal dinners, concerts and holiday programs.

This prayer for God to hear our cries for mercy is based on Psalm 98. Its many expressive moments, alluring suspensions and assuring cadences, lift the text magnificently forward. Turning from minor t...

Two Little Pieces on Text by Dr. Watts reprend deux des hymnes les moins connus d'Isaac Watts, Come Dearest Lord, Descend and Dwell, et My God, How Endless Is Thy Love, pour chœur SATB sans accompagne...

Written as a symphony for unaccompanied voices, George Lynn composed Sacred Symphony No. 1 in four movements (1958), of which Sing unto the Lord a New Song is the 3rd movement. Calling for SATB forces...

Written as a symphony for unaccompanied voices, George Lynn composed Sacred Symphony No. 1 in four movements (1958), of which Sing unto the Lord a New Song is the 3rd movement. Calling for SATB forces...

Alive with a good-natured gospel flair, this a cappella sizzler will awaken everyone to the joy of Easter. Arranged for success, the piece practically sings itself. The catchy theme is decorated with...

Alive with a good-natured gospel flair, this a cappella sizzler will awaken everyone to the joy of Easter. Arranged for success, the piece practically sings itself. The catchy theme is decorated with...

K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or c...

K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or c...

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...

The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...