Partitions musique classique

Realised by Robert Walker and arranged by him for Two Pianos

New Urtext Edition by Michael Musgrave Schumann's Piano Concerto traces its origins, through the first movement, to a single-movement Phantasie in A minor for piano and orchestra which was completed i...

The new Peters edition of Fauré's Barcarolles, like that of the Nocturnes, draws on a very wide range of sources including piano rolls played by him and printed copies bearing his corrections. Along w...

Publié pour la première fois en 1908, le Children's Corner de Claude Debussy est considéré comme une pierre angulaire du répertoire pianistique. Bien que cette suite pour piano solo en six mouvements...

Avec la publication des Rondos de Chopin, un nouveau volume vient s'ajouter à la série L'intégrale Chopin - Une nouvelle édition critique. Les Rondos de Chopin représentent une partie essentielle de l...

The three volumes of Années de pèlerinage ('Pilgrim Years') are among Liszt's most important compositions for piano solo. From dramatic-virtuoso to pensive-romantic music, the 29 'travel pieces' repre...

This final volume in Liszt's Années de pèlerinage in the Urtext edition by renowned Liszt scholar, Leslie Howard, contains the Troisième Année - Italie S163, together with Trois Odes funèbres S516, S5...

John Cage 'In A Landscape' includes the printed score, a written masterclass from pianist and John Cage specialist Adam Tendler, in which he considers how to approach this mesmerizing classic of moder...

Frédéric Chopin 'Prélude No. 4' includes the printed score, a written masterclass from international concert pianist Daniel Grimwood, in which he considers how to approach this classic of Romantic pia...

Claude Debussy 'Arabesque No. 1' includes the printed score, a written masterclass from concert pianist and musicologist Roy Howat, in which he considers Debussy's structures and musical language, a b...

John Field 'Nocturne No. 5' includes the printed score, a written masterclass from international concert pianist Daniel Grimwood, in which he considers how to approach this classic from the Irish comp...