Partitions musique classique

Détails: neuf voix de femmes

La poésie d'Heather Dohollau s'aventure toujours à la frontière des mots et du silence. Originaire du Pays de Galles mais vivant en France depuis 1950, Heather Dohollau (1925-2013) avait trouvé, dans...

Détails: trois voix de femme et ensemble instrumental (fl., cl., vibra., acc., vl. et vlc.)

Betsy Jolas: Enfantillages (Choral-Female accompanied)

A stirring text combined with solid choral writing make this an ideal choice for concerts and festivals. Perfect for massed choirs or for any size choir. Starts small, builds, and then ends quietly: '...

A stirring text combined with solid choral writing make this an ideal choice for concerts and festivals. Perfect for massed choirs or for any size choir. Starts small, builds, and then ends quietly: '...

Sally Albrecht has taken a famous text from Much Ado About Nothing and set it to a charming, original melody for SSA voices. The piece has a madrigal-like quality, complete with a 'hey nonny, nonny' s...

Here is a very special piece which has been widely performed by choirs for seasonal and year round events. Now available for SSA ensembles, One Candle Lights the Way is a touching ballad with a secula...

An outstanding concert work with a powerful text for SATB and SSAA choirs. Careful attention is paid to the text with mostly homophonic writing and an A-B-A form. The piano part is not difficult and s...

An outstanding concert work with a powerful text for SATB and SSAA choirs. Careful attention is paid to the text with mostly homophonic writing and an A-B-A form. The piano part is not difficult and s...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

Choirs will achieve a quality sound as they perform this richly woven tribute to singing and music. Features optional solos in the pensive opening, then builds to the final statement, 'I cannot be sil...

Choirs will achieve a quality sound as they perform this richly woven tribute to singing and music. Features optional solos in the pensive opening, then builds to the final statement, 'I cannot be sil...

Now this favorite aria from Handel's opera Semele can be enjoyed by treble choirs of any age. The nimble new piano part aids in shaping the legato choral phrases, just as the augmented interludes prov...

Now this favorite aria from Handel's opera Semele can be enjoyed by treble choirs of any age. The nimble new piano part aids in shaping the legato choral phrases, just as the augmented interludes prov...

Written in the style of a folk song, this exquisite original choral captures the essence of a tender love that lasts forever. 'Where the sea meets the sky, I know it's there that you and I will be tog...

Written in the style of a folk song, this exquisite original choral captures the essence of a tender love that lasts forever. 'Where the sea meets the sky, I know it's there that you and I will be tog...

From the majestic opening fanfare, you'll know that this piece is something special. Wonderful echo format makes for easy learning. This powerful new work is appropriate for general and holiday concer...

From the majestic opening fanfare, you'll know that this piece is something special. Wonderful echo format makes for easy learning. This powerful new work is appropriate for general and holiday concer...

This balletti from the Renaissance period should be performed lightly and energetically. Three-part choirs of any gender may choose to sing in Italian or English, a cappella or accompanied.