Partitions musique classique

Three songs of love with gorgeous music by Paul Carr for solo voice and piano. 'Devotion (Fain would I change that note To which fond Love hath charm'd me.....)' [Anonymous 1605] Range: C to G (opt E)...

The song-cycle 'Care-Charmer Sleep' was written, with funds from the Ralph Vaughan Williams Trust, for Alison Mary Sutton, who was accompanied by Alan Hazeldine, in its first performance in the Purcel...

This song originally written for Paul's brother, Gavin Carr, became one of the movements in Paul's 'Requiem for an Angel'. Here it is in the original form (Range: Bb - Eb). It is suitable for male or...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) into the early 1900s. Richard Cape...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Thirteen songs for high voice. Gustav Holst composed solo songs for voice and piano at various stages of his career, but with an abundance from the late 1890s (towards the end of his student days) int...

Reger's 'Virgin Slumber Song' arranged for a medium high voice in F.

Contents: Bononcini: Deh piu a me non v'ascondete - Caldara: Come raggio di sol - Sebben crudele - Selve amiche - Carissimi: Vittoria, vittoria! - Cesti: Intorno all'idol mio - Gluck: O del miodolce a...

82 Schubert Songs for High Voice and Piano accompaniment. English translations by Theodore Baker. Complete edition in four parts. Part 1: Die Schone Mullerin, Part 2: Winterreise; Part 3: Schwanengesa...

Edited with introduction, translation and notes by John Glenn Paton.

Original and unedited version for Medium Voice and Piano in A flat major.

Version for Medium Voice and Piano in the key of D major.

Version for High Voice and Piano.

Version for Medium Voice and Piano.

For Low Voice with Piano (Organ or Harmonium) accompanimrnt in the key of A Flat.

Version for Medium-Low Voice and Piano.

The Lord's Prayer, scored for medium-low voice with organ accompaniment.

From 'Five Sea Shanties' for Voice and Piano.

Un Bel Di arranged for High Voice and Piano.

This Song from the Oratorio 'Ruth' is frequently sung at weddings. It is arranged here for Medium Voice and Organ with an accompaniment by William Stickles.