Partitions musique classique pour orchestre

The Symphony No. 3 in C minor, popularly known as the 'Organ Symphony', was completed in 1886 at what could be considered the artistic peak of Saint-Saens' career. The composer said of the work, 'I ga...

En 1875, Camille Saint-Saëns (1835-1921) a créé une structure novatrice en quatre parties pour son CONCERTO POUR PIANO NO. 4 EN UT MINEUR, OP. 44. Dédiant l'œuvre à Anton Door, le compositeur l'a créé...

Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...

Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided t...

Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...

Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...

Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...

Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still...

This Mozart-inspired work, completed in January of 1877, was the first composition by Tchaikovsky for cello and orchestra. This version of Variations on a Rococo Theme, heavily edited by Wilhelm Fitze...

Captivated by the playing of famed Franz Liszt pupil Eugen d'Albert during the 1883-1884 concert season, Peter Iljitsch Tschaikowsky (1840-1893) began work on Concert Fantasia. After an arduous compos...

SOUVENIR D'UN LIEU CHER est un ensemble de trois pièces écrites à l'origine pour violon et piano, à peu près en même temps que le Concerto pour violon de Tchaïkovski. L'œuvre a été achevée en mai 1878...

SOUVENIR D'UN LIEU CHER est un ensemble de trois pièces écrites à l'origine pour violon et piano, à peu près en même temps que le Concerto pour violon de Tchaïkovski. L'œuvre a été achevée en mai 1878...

Peter Ilyitch Tchaikovsky (1840-1893) began work in 1877 and finished it the following year. Begun soon after Tchaikovsky established his relationship with long-time patroness Nadezhda von Mech, SYMPH...

The Barber of Seville (Il barbiere di Siviglia) was written by Giocchino Rossini (1792-1868) in 1816. The two-act comic opera is considered one of the greatest opera buffas ever written, and it remain...

Bien que moins connu aujourd'hui, le compositeur allemand Moritz Moszkowski (1854-1925) était un compositeur populaire et respecté de son vivant. Connu surtout pour ses compositions pour piano, son œu...

Johann Sebastian Bach (1685-1750) a mis en musique le texte du Magnificat, BWV 243, pour la première fois en 1723, après avoir pris ses fonctions de Thomaskantor à Leipzig, mais dans la tonalité de mi...

Johann Sebastian Bach (1685-1750) a mis en musique le texte du Magnificat, BWV 243, pour la première fois en 1723, après avoir pris ses fonctions de Thomaskantor à Leipzig, mais dans la tonalité de mi...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...