Partitions musique classique pour orchestre

This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.

Stimmensatz - Flöte; 2 Oboen I/II; 2 Klarinetten I/II; 2 Fagotte I/II; 2 Hörner I/II; 4 Violinen I; 4 Violinen II; 4 Violoncelli/Kontrabässe

Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe

This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...

This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; Violoncello/Kontrabass - Orchester.

As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...

Une des plus belles oeuvres de la littérature romantique pour violoncelle - éditée et munie de doigtés par la violoncelliste de renom Maria Kliegel. L'accompagnement orchestral est facile - même pour...

In dem Concerto des auch als Flötist berühmten französischen Komponisten sind klassische Heiterkeit und elegante Virtuosität miteinander verbunden.

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the "Suite französischer Tänze" with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...

The suite from the cycle 'Plöner Musiktag' (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is...