Partitions musique classique pour flûte

Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means 'to play'), this collection is all about playfulne...

Louis Anthony deLise's Celebrations! for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan and consists of four works: The Music Box, To Dance With You, A Trot Through the S...

Prelude, Fugue and Variation for Flute and Harp (or Piano), by Cesar Franck, here adapted for concert performance by Eugene Magalif, including further "improvisatory" passages following the Prelude, t...

A gentle piece, composed for the wedding of the composer's brother. An interesting composition which features the interplay between the flute and organ.

A great virtuoso encore piece, newly edited in 2013 and much easier to read now!

for Flute and Piano. 'An Introduction to 19th Century Solos' - Ten pieces excellent for the intermediate student or for encores.

for Flute and Piano. 'A Night at the Opera' - A collection of four operatic fantasies by Auber, Planquette, Audran, and Strauss. Good for either piccolo or C flute.

Four distinct movements for alto flute, C flute, bass flute, and piccolo. Each movement allows an individual in the flute family to portray its characteristics.

for Flute and Piano. The famous violin sonata is known for its beauty, charm, pastoral quality, and relative simplicity.

for Flute and Piano. Der Rattenfanger von Hameln; Brillante Concert-Fantasie - Perfect pieces for encores or light programming. Virtuosic, with lots of flair.

for Flute and Piano. Three delightful pieces that are appealing to both the performer and theaudience. Selections include: Prelude, Orientale, Air de Ballet

A seldom-heard work by Faure for flute and piano. Great for contests or recitals.

A fresh arrangement of this early American melody, with melodic liberties keeping within the improvisational practices of the soul and gospel singers who made it prominent.

for Flute and Piano. A French art song, transcribed because of its delicate, warm, and lyrical characteristics. A simple love song.

A haunting melody evocative of a quiet Christmas Eve. Originally written to be performed on alto flute (beginning and ending) and C flute (middle), but appropriate for either all C flute or all alto f...

Familiar sacred pieces arranged with piano or organ accompaniment. Organ pedal parts are included. Wonderful for any kind of worship service. Selections include: Amazing Grace; Fairest Lord Jesus; For...

More familiar sacred pieces arranged for flute with piano or organ accompaniment. Organ pedal parts are included. Suitable for many sacred occasions, including weddings and Thanksgiving. Selections in...

Lovely settings which capture the spirit of the seasons. May be used for sacred occasions as well as a variety of student programs. Selections include: A Spring Song; A Summer Night; Autumn Echoes; A...

Arranged for either 1 or 2 flutes with keyboard (except for the Handel), these arrangements are excellent for weddings, but are also appropriate for other occasions. Selections include: Sarabande - J....

for Flute (or Oboe) and Piano. Written for a young person named 'Fleur,' this piece is for flute or oboe students who have studied a year or more and is designed to develop a sense of expressive phras...

for Flute and Piano. Endorsed by Jeanne Baxtresser as 'delightful tunes...designed for the pleasure of the flutist-performer. They will serve as a guide to the enhancement of tonal control and express...

for Flute and Piano. Showing another side of Satie, these pieces are the result of his playing the piano in the cafes of Paris. Delightful additions to any program. Selections include: La Diva de l'Em...

Also known as 'Lieder eines fahrenden Gesellen,' the complete Wayfarer song cycle is transcribed for flute and piano. The first and fourth movements may be performed on Alto Flute with the supplementa...

for Flute and Piano. This is an upbeat crowd pleaser - an encore piece. It takes energy and is loaded with syncopation, dynamics, and two-and-a-half octaves of almost wild abandon! 2001 NFA Newly Publ...