Partitions musique classique pour chœur d'enfants

First performed in 1691 as part of the semi-opera King Arthur this energetic arrangement may be presented by treble or mixed voices. Optional flutes will enhance the performance. Performance Time: App...

An accessible arrangement of the Scarlatti aria for young choir. It includes both Italian and English texts and is an excellent introduction to music of the Baroque period.

Handel's buoyant aria in praise of music, now arranged for 2-part treble voices will be a sparkling addition to any program. Performance Time: Approx. 4:00. Available for 2-Part Treble voices.

This special Ed Harris arrangement is one of the finest masterworks ever released for the elementary level. Taken from Brahms' Volkskinderlieder, this lullabye is simply charming. Available: 2-Part.

This exquisite arrangement of 'Die Forelle' is a rare example of Masterwork literature adapted for young choirs. It's perfect for contest use! Available: Unison/2-Part.

Maurice Duruflî (1902-1986) dedicated this hauntingly beautiful setting of the Lord's Prayer to his wife. Simple and direct, it is almost chantlike in its melodic purity. Originally written for unison...

Arranged here for unison voices and piano, this heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. Also avail...

Samba Mass is a joyous and colourful setting of the Latin Missa brevis. The work is framed by the gentle bossa nova style of the warm Kyrie and relaxed Agnus Dei, which is prefaced by a funky Benedict...

This is the key is a dramatic, narrative piece, perfect for children's and youth choirs. It can be sung in unison throughout, or the score contains options for two parts, sometimes singing alternating...

This attractive piece for unison voices celebrates the wonder of the 'bright new moon'. The composer's own text, based on traditional Hebridean poems, is set to a simple, flowing melody. The piano acc...

This is the key is a dramatic, narrative piece, perfect for children's and youth choirs. It can be sung in unison throughout, or the score contains options for two parts, sometimes singing alternating...

Ian Crawford's arrangement of Schubert's famous and brilliantly dramatic Erlkönig enables choirs to explore dramaturgy and storytelling while learning a staple of Schubert's rich output for voices. Th...

This entertaining three-part arrangement of the popular sea shanty was written for Cambiata North West. The humorous lyrics are complemented by a jovial piano accompaniment and the piece includes seve...

Cette magnifique mise en musique d'un texte de Ralph Waldo Emerson célèbre la présence universelle du chant, que l'on peut trouver dans des lieux de beauté mais aussi d'obscurité. Avec des mélodies mé...

Cette oeuvre profane pour voix supérieures met en scène avec sensibilité le poème éponyme de Langston Hughes. Elle se caractérise par une ligne mélodique chantante, une écriture éloquente et une parti...

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by a delicate...

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

Arranged here for unison voices and piano, this uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre,...

La confrontation avec la nuit est probablement le premier moment où l'enfant se sent déstabilisé. Les contours familiers de la chambre s'estompent dans l'obscurité, le visage réconfortant de la mère d...

Détails: récitant, voix d'enfants, saxophone soprano en si bémol (saxophone baryton en mi bémol), clarinette en si bémol (clarinette basse en si bémol), alto, violoncelle, clavecin, percussions

La mise en musique des Laudes creaturarum par Oldham a été composée en 1961 à la suite d'une commande de la Spode Music Week, un festival avec des ateliers, fondé en 1954 et qui existe toujours. Au co...

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony, melodies and his passion for ornithology, his Vocalise Study for High Voice and Piano is...