Partitions moyen pour Violoncelle

Il y a des compositeurs dont on ne sait rien ou peu, qui ne sont connus que pour leurs œuvres ou même une seule œuvre. Luigi Carvelli est l'un d'entre eux : il a vécu dans la deuxième moitié du XIXe s...

Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed...

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...

The edition is the part of the ABRSM syllabus (grade 5)

Les six sonates de Benedetto Marcello (1686-1739) font partie, avec celles de Vivaldi, des compositions pour violoncelle et basse continue les plus connues du baroque. Déjà du vivant du compositeur, t...

Orbit is a work composed by acclaimed minimalist composer Philip Glass for Solo Cello. Orbit was commissioned by Damian Woetzel and premiered on the 2nd of April 2013, in a performance by cellist Yo-Y...

The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young,...

The edition is part of the ABRSM syllabus (grade 6)

Qui eût cru que le ragtime connaîtrait une telle renaissance ! Plus de cinquante ans après la mort de Scott Joplin qui fut son principal représentant, le film L'Arnaque (The Sting) remettait à la mode...

Only two years after composing his three-movement Cello Sonata in 1919, Paul Hindemith undertook a comprehensive revision of the work. Abandoning the two outer movements, he created a new version base...

Wolfgang Köhler, professor of jazz piano at the Berlin Jazz Institute, writes music in the border area between classical, jazz and contemporary music. His 'Variations' for cello and piano are cross-ov...

Take Seven is a tried and trusted showpiece with audience appeal. The title Take Seven is of course a play on Paul Desmond's famous Take Five and its recording by the Dave Brubeck Quartet. As there, t...