Partitions moyen pour Orchestre symphonique

Can you spell B-R-I-L-L-I-A-N-T? Well, that's the word that most aptly describes William Finn's GRAMMY® nominated soundtrack for the current Broadway hit, Spelling Bee. Doug Wagner captures all of the...

Can you spell B-R-I-L-L-I-A-N-T? Well, that's the word that most aptly describes William Finn's GRAMMY® nominated soundtrack for the current Broadway hit, Spelling Bee. Doug Wagner captures all of the...

Perfect for today's audiences, yet bringing the best of Broadway standards to life again, all ages will recognize these tunes. Give My Regards to Broadway, Ain t Misbehavin , My Funny Valentine, I ve...

Perfect for today's audiences, yet bringing the best of Broadway standards to life again, all ages will recognize these tunes. Give My Regards to Broadway, Ain t Misbehavin , My Funny Valentine, I ve...

Michael Flatley's dazzling dance and music extravanganza is certainly an entertainment icon of stage shows, mixing Irish/Celtic dance, music, and spectacular theatrics. Larry Moore's popular arrangeme...

Broadway's powerful new hit is filled with engaging music and an intriguing story line based on the infamous Wicked Witch of the West. Veteran Broadway writer Stephen Schwartz's music has received cri...

The quintessential 'Can-Can' provides a rousing finish, yet this entire piece offers excitement, lyricism, and opportunities for impressive, yet manageable, solos and cadenzas. For strings alone or wi...

The quintessential 'Can-Can' provides a rousing finish, yet this entire piece offers excitement, lyricism, and opportunities for impressive, yet manageable, solos and cadenzas. For strings alone or wi...

The quintessential 'Can-Can' provides a rousing finish, yet this entire piece offers excitement, lyricism, and opportunities for impressive, yet manageable, solos and cadenzas. For strings alone or wi...

The quintessential 'Can-Can' provides a rousing finish, yet this entire piece offers excitement, lyricism, and opportunities for impressive, yet manageable, solos and cadenzas. For strings alone or wi...

WILLIAM TELL, le dernier opéra de Rossini, a été créé à Paris en 1829 et est encore largement considéré comme son chef-d'œuvre. Ce finale de la célèbre ouverture résume l'expérience passionnante de l'...

This overture, written two days before the fairy-tale opera's 1791 premiere, is among the best known in the classical literature. This version is edited by Steven Rosenhause. Instrumentation: 2.2.2.2:...

This overture, written two days before the fairy-tale opera's 1791 premiere, is among the best known in the classical literature. This version is edited by Steven Rosenhause. Instrumentation: 2.2.2.2:...

Christoph Schönherr ist ein ausgewiesener Experte in Sachen Jazz- und Popchor und ein gefragter Chorkomponist. Er schreibt über sein Werk: „Mich hat für die Komposition besonders die Polarität des Tex...

Christoph Schönherr ist ein ausgewiesener Experte in Sachen Jazz- und Popchor und ein gefragter Chorkomponist. Er schreibt über sein Werk: „Mich hat für die Komposition besonders die Polarität des Tex...

Christoph Schönherr ist ein ausgewiesener Experte in Sachen Jazz- und Popchor und ein gefragter Chorkomponist. Er schreibt über sein Werk: „Mich hat für die Komposition besonders die Polarität des Tex...

Commissioned by the Sarasota Orchestra.

Commissioned by the Sarasota Orchestra.

Studio Orchestra Arrangement. Full Score, English Vocal, Portugese Vocal, Woodwind 1: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute, Woodwind 2: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute/Alt...