Partitions moyen pour Orchestre symphonique

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdis Marienvesper von 1610 ist ein Werk, das Musikwissenschaftler und Musiker seit vielen Jahren gleichermassen fasziniert und verblüfft. Es stellt den bei weitem grösseren Teil in des Komponis...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et très guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers...

Of the 4 surviving settings of the Te Deum by Charpentier, the present one composed in the 'joyeux et très guerrier' key of D major, is undoubtedly his most famous work, thanks to television producers...

Soli SSAATB - Chor SSATB - 0.0.0.0. - 0.2.0.0. - STR - BC (Cembalo)

Parmi les quatre mises en musique du Te Deum de Charpentier qui ont survécu, celle-ci, composée dans la tonalité "joyeuse et très guerrière" de ré majeur, est sans aucun doute son œuvre la plus célèbr...