Partitions moyen pour Orchestre symphonique

Perfect for today's audiences, yet bringing the best of Broadway standards to life again, all ages will recognize these tunes. Give My Regards to Broadway, Ain t Misbehavin , My Funny Valentine, I ve...

Michael Flatley's dazzling dance and music extravanganza is certainly an entertainment icon of stage shows, mixing Irish/Celtic dance, music, and spectacular theatrics. Larry Moore's popular arrangeme...

Commissioned by the Sarasota Orchestra.

The Full Score to Jacob Gade's 1925 compostion Tango Jalousie for Orchestra. Edited by Peter Ettrup Larsen.

Seven exquisite movements comprise this wonderful edition of Bartok folk-style music for strings. With plenty of solo opportunities and unique textures for strings, this set can be performed in numero...

for SATB and orchestra John Rutter's setting of the Te Deum is jubilant, straightforward, and appealing. It is well-suited to performance in choral concerts as well as sacred settings. Material for th...

Urtext der New Berlioz Edition Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Piccolo, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (4), Trompete (2), Posaune (3), Serpent, Op...

2. Fassung mit der Variante des Osanna in excelsis und der Cum Sancto Spiritu-Fuge aus der 1. Fassung. Urtext der Neuen Schubert-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-...

Urtext der Neuen Schubert-Ausgabe - Urtext of the New Schubert Edition. Sopran solo (2), Alt solo, Tenor solo (2), Bass solo, Gemischter Chor-SATB, Oboe (2), Klarinette in b (2), Fagott (2), Horn (2),...

Sopran solo (2), Alt solo (2), Tsolo (2), Bass solo (2), Gemischter Chor: SSAATTBB, Orchester

La Missa Gratias agimus tibi de Jan Dismas Zelenka date de 1730, soit peu de temps avant la Missa Sancti Josephi (Carus 27.082), et se rapproche donc du style tardif de Zelenka. Messe solennelle, elle...

La première des deux messes de Beethoven est, par son langage subjectif qui exploite de nouvelles dimensions expressives du texte liturgique, particulièrement moderne et visionnaire. Elle n'est pas un...

Georges Bizet, surtout connu comme compositeur d’opéras, a lui-même admis qu’il n’a en fait aucun goût pour la musique sacrée. Mais avec ce Te Deum, il laisse une œuvre fascinante et expressive. Depui...

Written in 1940, this movie music plays more like a symphony than a soundtrack. Several of the majestic themes from this marvelous score are featured in this truly classic arrangement. Perfect for adv...

The essence and resonance of this timeless overture is perfectly preserved in Leidig's arrangement. Technical range is perfect for high school string or full orchestras. String parts are carefully edi...

> First Urtext edition of the original piano reduction<br>> Variants in the solo part rendered as ossia passages<br>> Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Crit...

Roughly eight months after the death of Antonín Dvorák (1 May 1904), his son-in-law Josef Suk began to compose a funeral symphony. While he was working on it fate struck a second time with the death o...

One of MacMillan's earliest successes was his first percussion concerto, Veni, Veni, Emmanuel (1992), firmly established with hundreds of performances to date. Percussion Concerto no 2 was therefore r...

First written for string orchestra, Water Reflections by Yukiko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic dept...

Another in the series of adaptations of the masters by Merle Isaac, himself a master of orchestration for young players. This memorable music is known by concertgoers the world over and is a welcome a...

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.