Partitions moyen pour Harmonie

L'impact de Frederick Fennell sur le monde de l'orchestre est incommensurable. Son héritage se poursuit avec l'édition de ce classique de Holst qui constitue une partie importante du répertoire et de...

Écrite pour onze vents lorsque Mendelssohn avait quinze ans, elle a été adaptée pour un orchestre d'harmonie contemporain (les parties de saxophone sont facultatives, par souci d'exactitude historique...

Écrite pour flûte, hautbois, clarinettes, bassons, cors et contrebasse (parties alternatives pour contrebasson ou clarinette contrebasse), cette édition de l'œuvre de Gounod, écrite à l'origine pour d...

Écrit en 1866, le jour où il apprit la mort de son grand ami et nationaliste norvégien Rikard Nordraak, le monument original à la mémoire de son cher ami a été composé par Edvard Grieg pour piano. Un...

Tribute is paid to the automobile industry with this colorful and fun work that is sophisticated and rewarding. Composed in five continuous sections, this unique work is appropriate for festivals and...

The musical comedy The Yankee Girl (1909) needed a march and Sousa was asked to provide one. The result was one of his most melodic efforts, with wonderful euphonium countermelodies and a great piccol...

In addition to his well known marches, Sousa was also a prominent composer of operettas and musical comedies.  This delightful work was originally written as an opening to the first act of an un-...

Cette œuvre, qui accompagne l'édition historique de Lincolnshire Posy de Fennell, est indispensable à toute bibliothèque d'orchestre sérieuse. La partition et les parties sont basées sur des sources o...

The Gallant Seventh honors the 107th Infantry Regiment of the New York National Guard. One of the 'March King's' finest efforts, it contains the traditional 'trumpet and drum' writing associated with...

John Philip Sousa wrote music in a variety of styles and was particularly adept at dance music, which, of course, was the original purpose of the march. The Gliding Girl is a tango, and its relaxed te...

The 'March King' wrote this in honor of the Boy Scouts of America. Mr. Schissel has prepared this edition for the modern concert band with corrected pitches, unified dynamics, and articulations. A bri...

L'impact de Frederick Fennell sur le monde de l'orchestre est incommensurable. Son héritage se poursuit avec l'édition de ce classique de Holst qui constitue une partie importante du répertoire et de...

With music by William Penn and words based on the writings and poetry of Hamlin Garlin, this is a unique and beautiful opportunity to feature a medium voice with wind ensemble (no saxophones, flugelho...

... a clever concert closer spotlighting the percussion section. (The Instrumentalist, November 1979)

Three interpretations of Prelude I from Bach's Well-Tempered Clavier. "The composer's great contrapuntal gift makes a whole new item of that material from the greatest contrapuntalist of them all, and...

Personne ne fait mieux Sousa que Schissel ! Voici une autre de ses contributions expertes à sa propre série "Heritage of the Concert Band", avec des notes historiques détaillées, des parties d'instrum...

Œuvre originale étonnante de notre bien-aimé "March King", America brosse un tableau magnifique et passionnant de l'édification d'une grande nation. Avec son acier qui s'entrechoque, ses haches brûlée...

Sousa a écrit bien plus que des marches. Cette œuvre particulière arrangée par Loras John Schissel est tirée d'une suite intitulée Camera Studies---Music for an Imaginary Film. C'est clairement du Sou...

Nathaniel Dett was one of John Philip Sousa's favorite composers, even in a time when racial relations in the United States were less than optimal. Dett's music is filled with melodic charm and harmon...

Japanese Suite (Op. 33, H. 176) was written in 1915 for Japanese dancer Michio Ito and was Holst's last composition before writing The Planets. The themes were provided by Mr. Ito with the exception o...

Canzon Primi Toni a8, from Gabrieli's 'Sacrae Symphoniae 'of 1597

Canzon Primi Toni a8, from Gabrieli's 'Sacrae Symphoniae 'of 1597

Frank Ticheli Composition Contest Winner