Partitions moyen pour Ensemble mixte

Written for percussion and piano. The percussion consists of a 5-octave marimba and a table of assorted junk. This could include frying-pans, metal bowls, plastic tape dispenser, CD case and a cowbell...

Honest Music has, in the composer's words, 'a makeshift nature... the sad beauty of things coming together and things falling apart'. There are long, expressive gestures with Romantic moments, sputter...

In the composer's own words, ' Keep in Touch is a lament, a sort of chaconne divided up into sections by more freely-composed cadenzas for the Viola. ' The electronic CD supplied with the sheet music...

Far Away Songs, for Soprano, String Quartet and Piano, was commissioned by the Juilliard School for the Alice Tully Vocal Arts Debut Recital in Alice Tully Hall. The texts are by C. P. Cavafy and tran...

Gibbons Suite is a suite of works by Orlando Gibbons arranged by Nico Muhly for Clarinet in B Flat, String Quartet and Piano. It was premiered by the Britten Sinfonia in January 2010.

Nico Muhly's Motion captures the nervous energy of obsessive counting. The piece is made up from small repetitive and expressive pieces, which captures this nervous energy perfectly. This piece is sc...

Hymns For Private has been beautifully composed by Nico Muhly. This score and parts is the perfect addition to any wind ensembles collection that may be looking for something a little different. Hymn...

This expressive work for Horn, Violin and Piano is another sound composition from composer Wilfred Josephs. Horn Trio Op. 76 will present an enjoyable challenge to your chamber group. This is the scor...

More Fair Than The Sun - Århus Fanfare (Brass Ensemble Version) by Sunleif Rasmussen. Scored for Choir SATB and Brass Ensemble. Text: Völuspá / Volvens spadom / Prophecy of the Völva....

1. Violine (3), 2. Violine (3), Viola (2), Cello (3), Cembalo

Few baroque composers were ever able to create work as sunny, as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Work for Flute, Percussion and String Quintet. Quoting Karen Tanaka: The title, Invisible Curve, suggests flexibly curved space-time in four dimensions. The curve occurs because of weight and energy o...

Work for Flute, Percussion and String Quintet. Quoting Karen Tanaka: The title, Invisible Curve, suggests flexibly curved space-time in four dimensions. The curve occurs because of weight and energy o...

Chausson wrote some interludes for flute and harp for a production of Aristophanes' The Birds, performed at Le Petit ThéÔtre de la Galerie Vivienne, Paris, in 1889. At the request of Emily Beynon, wor...

Work for Clarinet, Trumpet, Violin, Cello, Piano and Percussion, composed in 1987 and revised in 1989.

The Ballad of Kastriot Rexhepi was commissioned by the Santa Monica Museum of Arts as an original score for the installation The Ballad of Kastriot Rexhepi by MaryKelly. The words are used/reproduced...