Partitions moyen pour Chœur

Kanonsang Til Kirkeåret, by Ulrich Teuber - Canon songs for the ecclesiastical year

Ave Maria, by Niels La Cour, from 3 Mottetti Latini 1982.

Die wunderschöne Melodie dieses 'geheimen Liebesliedes' charakterisiert die Gefühle zweier Menschen sehr eindrucksvoll. Das Werk kann auch mit Chor oder Gesangssolisten aufgeführt werden.

Shortly before his death, Giovanni Pergolesi moved to the Franciscan monastery in Pozzuoli, where he composed his last works. Among these is his Stabat Mater which reveals the infusion, into church co...

Dream-Songs is a short cycle of settings of Walter De La Mere, suitable for solo voice but ideal also for children's voices to sing in unison. Bennett's atmospheric music provides an imaginative foil...

This work was composed for the Young People's Chorus Of New York, and based upon an anonymous 18th Scottish ballad, Sweet William's Ghost. The work was first performed by the Young People's Chorus Of...

The first complete volume of Henry Purcell's Catches to appear in Purcell Society Edition since 1922. The new edition lays particular emphasis on accuracy and performance and includes a comprehensive...

A beautifully-presented, cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance, and includes a comprehensive commentary. Paperback edition...

The popular and lively traditional air, arranged for Unison voices, with descant and Piano accompaniment by Thomas Dunhill.

For Unison Voices and Piano accompaniment. Text: Marion May.

For Unison Voices and Piano accompaniment. Music adapted from an old English melody by Thomas Dunhill. Text: Rose Fyleman.

Mendelssohn's I Waited For The Lord (The Hymn Of Praise) arranged for two high voices in the Key of D. Although it is often performed as a seperate work, The Hymn Of Praise was originally written as p...

Humorous part-song for SS (or SA) chorus, with words written by F. E. Weatherley and music composed by Sir Frederick Bridge. Includes piano accompaniment for rehearsal purposes.

From the cantata King Olaf, with words by Longfellow. Adapted for two-part choir from the composer's SSA arrangement.

A celebratory song herlding the approaching summer, based upon a text by S. Longfellow and written for the upper voices with Piano accompaniment.

Adapted from an old Fench song by Robert Elkin, using words by Georgina Tanner. For unison voices and piano accompaniment.