Partitions moyen pour Chœur mixte

Written for SATB chorus, this is John McCabe's setting of a text by Thomas Hardy, celebrating the songbirds of England and the birth/rebirth of life itself. A Piano accompaniment is provided for rehea...

Leighton's setting of The Christ Child Lay In Mary's Lap is taken from A World's Desire - a Sequence for Epiphany, and written for Soprano Solo and SATB chorus.

From Three Carols Op. 25 for SATB Choir. Text by Robert Herrick.

From 3 Carols Op. 25 for SATB choir. Text by Robert Herrick.

A celebratory anthem of love and unification, with an anonymous text set for two SSATB choruses with three Soprano soloists. A Piano accompaniment is provided for rehearsal purposes.

Alternatively titled by first line 'When to the temple Mary went'. Translated from the German by the Rev J. Troutbeck.

Morley's early-Renaissance setting of the Magnificat And Nunc Dimittis alternates between the unison lines based upon Gregorian tones, and an SATB chorale-style texture. Edited by Francis Burgess and...

A sustained and stately choral chant in a quasi-Renaissance style, for SATB chorus, that combines today's evocative harmonic possibilities with the devout textures of early church music.

Full anthem for six voices (SSATTB). Edited by George J. Bennett.

Setting the text from Isaiah VI vv1-8, this is a challenging setting for SATB choir.

Carol for SATB Choir. Words: Anonymous.

A four-part round setting the words of Shakespeare's Macbeth Act 1 Scene 6.

Gibbons 'Magnificat And Nunc Dimitis' No 6 arranged for mixed voice choir SATB.

Commissioned by Tim Brown and the Choir of Clare College, Cambridge.

Commissioned by Spitalfields Festival. First performed by The Orlando Consort at the Spitalfields Festival 2006.

Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St John's College, Cambridge and was premièred under the direction of David Hill in the College ch...

This is a critical edition of Claudio Monteverdi's Il Quinto Libro De Madrigali by Karin Jacobsen and Jens Peter Jacobsen. For 5-part Mixed Chorus and Basso Continuo.

A setting of the composer's son's poem for Mixed Voice Choir (with divisions).

Ipsa vivere was commissioned in celebration of Jameson Marvin's 30th anniversary (2007-2008) as Director of Choral Activities at Harvard University by the Harvard-Radcliffe Collegium Musicum Foundatio...