Partitions moyen pour Chœur mixte

An oratorio for Soprano, Alto, Tenor and Baritone soli, SATB chorus, Orchestra and Organ. This, the Schirmer Edition of the Vocal Score includes a Piano Accompaniment.

An oratorio for SATB Chorus and SSTBB Soli. This edition, arranged by Vincent Novello, contains a Piano/Organ accompaniment.

A substantial Oratorio about the conversion to Christianity and subsequent life of Paul of the Apostles after the matyrdom of Stephen. The music is for Soprano, Alto, Tenor and Bass soli, SATB choir a...

Titled 'Lobgesang' in German, Mendelssohn's 'Hymn of Praise' is an immense work partly inspired by Beethovan's 9th (Choral) Symphony. This version uses a piano accompaniment in place of the orchestra...

Among all Stabat Maters ever set to music by various composers over the centuries, this one holds a special place as the most symphonic one and as the one that was the most clearly written by a classi...

Written when Mozart was only 18 years of age, this Mass is a miracle of brevity and of childlike simplicity of spirit. Written for four solo voices, four-part chorus of mixed voices, two violins and o...

The Prayers Of Kierkegaard were selected from the Kierkegaard's various writings and sermons, written between 1847 and 1855. Prayers Of Kierkegaard was completed in January 1954 and was first performe...

English Only. Translated by Robert Shaw.

Dramatic Cantata for Chorus, Children's Chorus, Soprano and Bass Soli, and Orchestra.

Vivaldi's classic work, arranged for SSA soli, SATB chorus and organ/piano accompaniment. This, the Schirmer edition, includes a piano reduction and is edited by William Herrmann.

Latin.

One of Handel's first works in English, the 'Utrecht' Te Deum was written in 1713. Along with the accompanying Jubilate, it won him the approval of the people and an annual allowance from Queene Anne....

Gian Carlo Menotti is frequently considered to be the greatest composer of American opera in the twentieth century. His Missa O Pulchritudo was first performed in 1979 in Milwaukee by the Bel Canto Ch...

An unfinished Oratorio by Mendelssohn, for mixed soloists and SATB chorus with Piano accompaniment. The English version of the text is by W. Bartholomew.

For four part chorus of mixed voices with soprano, mezzo-soprano, tenor and baritone solos. Full score and parts are available for rental from the publisher.

A dramatic cantata for mezzo-soprano, tenor, baritone and bass soli, mixed chorus and orchestra.

Danish/English Vocal score for Jean Sibelius' The Tempest Op. 109 (1925-26) - Incidental Music to William Shakespeare's 'The Tempest'. For soloists (S, M, T, 2Bar), Choir SATB and Orchestra. Full Scor...

An oratorio for SSSSATBB soli, chorus and orchestra, written in 1748. This vocal score includes a piano accompaniment revised from that of the German Handel Society.

This work, written for SSAATB soli, SSATB chorus and orchestra, was first performed at the thanksgiving for the Treaty of Utrecht held in St Paul's Cathedral, London, on 7th July 1713. Together with J...

Theodora, on a libretto by Thomas Morell, was composed between 28 June and 31 July 1749 when Handel was in his 65th year. This oratorio was written for SMATB soli (with a small supporting part for the...

Cantata in five scenes to poems by Thomas Hardy for soprano and baritone soli, SATB chorus, two pianos, timpani and percussion. Duration: c. 28 minutes.

John McCabe, one of Britain's best known contemporary composers, was specially commissioned in 1976 to compose this work by the Northampton Philharmonic Choir to celebrate its 80th Season.

Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli, SATB chorus and orchestra. This voca...

An anthem composed in celebration of the Peace of Aix-la-Chapelle, first performed in the Chapel Royal on the 25th of April, 1749, during a service attended by the King and other members of the Royal...

The seventh of Handel's eleven Chandos Anthems, written in 1717 in the year of his attachment as resident composer to James Brydges, Earl of Carnarvon and later Duke of Chandos. An interesting work wh...