Partitions moyen pour Chœur mixte

This hymn works well on Christ the King Sunday or during Advent. Try this marvelous festive setting by Robert Powell for mixed chorus, congregation, organ, and optional brass quartet.

This festive hymn anthem for mixed voices, congregation, and organ works great on Pentecost, baptism, or general use.

For mixed voices with organ and optional brass quartet, try this creative work on Pentecost or during any time of church renewal.

A splendid anthem that will surely enhance worship on Easter, Ascension, or any Sunday, try the optional trumpet (incorporates the tune Victory).

Based on the familiar hymn tune, Beach Spring, try this lyrical anthem on Trinity Sunday, Pentecost, for Communion, or general use.

Donald McCullough is both a church musician and conductor of the Master Chorale of Washington, D. C. He writes equally well for both large and small forces. This church anthem, with texts from Isaiah...

Originally scored for male voices (HMC1096), this beautiful work is set to texts from 1 John and Psalm 23. Jane Marshall dedicates the work to the memory of Lloyd A. Pfautsch (1921-2003).

Paul Williams and David Lantz work together here to produce a meaningful anthem for Communion, Pentecost, or general use.

Composer Blake Henson sets his own text inspired by the fourth movement of Deo Gracias by Michael Cox. Try it for Communion, a memorial, or general use.

Text based on Psalm 93 tuneBryn Calfaria instrumentation: 2 Bb trumpets, 2 Trombones, Timp, and Full Score

Based on Psalm 103, Dwight Gustafson has adapted this text for mixed chorus with organ and harp or piano.

Hank Hinnant brings us another winner for the small church choir. For general use, Pentecost, Christ the King, or almost any festive occasion, works well with or without the C instrument.

The text to Praise My Soul, The King Of Heaven is paraphrase of Psalm 103. David Schwoebel sets the work for mixed voices with piano, suitable for Christ the King Sunday.

This work was originally scored for SATB voices (HMC1838) but it is available here for SAB voices with piano and trumpet, try the work for Christ the King Sunday, Pentecost, or Trinity Sunday.

This medium difficulty piece, adapted from the Psalms, playfully tosses the melody back and forth between the soprano solo and the choir, a heart lifting choice for concert or worship.

From our Choral Tradition Series, four of Brahms' folk songs in German and English: Summer, Farewell, The Messenger, and The Carpenter

Grand, but not difficult with the spotlight on the organ

Eugene Butler has established a solid and respected position in the music world as a composer, conductor, educator, and church musician. He has written this sacred anthem for a SATB chorus with keyboa...

Dies ist der Klavierauszug für SATB-Chor mit Klavierbegleitung zum Werk "Ave Jesus, Gottes Sohn". "Ave" - "sei gegrüßt" rückt die Ehrung Jesu als Begleiter und Trostspender in den Fokus. Die Klavierbe...

This delightful anthem (with organ) by Louisa Bagot was performed at St George's Chapel, Windsor, and Canterbury Cathedral during the 19th century. It contains verses for SAB and SATB, a Bass aria, an...

Kantate zum 2. Ostertag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gem-Ch-SATB, Oboe (2), Oboe-Picc, Streicher, Basso continuo - Klavierauszug

Kantate zum 2. Ostertag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gem-Ch-SATB, Oboe (2), Oboe-Picc, Streicher, Basso continuo - Klavierauszug

Klavierauzug nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Violine (2), Viola (2), Violoncello/ Kontrabass/ Basso continuo, Orgel

Mit Martin Luthers Adventslied "Nun komm, der Heiden Heiland", einer Verdeutschung des altkirchlichen Hymnus "Veni redemptor gentium", hat Bach zwei seiner Kantaten eröffnet. In den Sologesängen (in d...