Partitions moyen pour Chœur mixte

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale ™s poem, After Love, -There is no magic any more, establishes the theme of vanishing love. Stephen Chatman ™s setting of the poignant text, in the dark key of D flat...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

The texts for this set of three songs are mostly from the 19th century, but the sentiments are ageless. The special imagery in each of the poems finds its way into the musical setting. Evening Song fe...

Part of the collection Love Shall Live Forever. 'She Walks in Beauty' begins with a piano introduction allowing time to enter the poetic world of Lord Byron. A simple melody is accompanied by steady,...

The text by Edna St. Vincent Millay, speaks of a youthful all-night adventure riding the ferry back and forth with no destination in mind. There is much back-and-forth in the musical setting, to a swa...

Intoned by a chord cluster on bells (only four bells are required) or keyboard, a soloist or several voices chant the first phrase (the piece can be sing in either English or Latin). The intensity gro...

From a three-part collection based on poetry by American pioneers, this third piece, 'A Hoopla, ' depicts a barn dance and vocalists circle round the instruments, stomp, clap, and generally perform wi...

6 vierstimmige Sätze nach jüdischer Folklore für gemischten Chor mit optionaler Percussion-Begleitung Alon Wallach wurde 1980 in Jerusalem geboren. Seine musikalische Ausbildung begann mit Geigenunter...

The noted Hungarian choirmaster and composer, born in 1930, set four verses of the Lord's Day sequence of St Thomas Aquinas in this short devout work, which draws on the melody of the original Gregori...

Words from 2 Samuel 18:33. For Dr Martin Ennis and the Chapel Choir of Girton College, Cambridge

Ein lebendiger Zyklus für Chor a cappella Vertonungen von kurzen Gedichten und Aphorismen von Josef Linnek: Weltcircus Warum Mein Atem schreitet langsam Es gibt zu wenig Musen Ich fragte nach Wahrheit...

Version for Mixed Chorus (SAB) and Organ. Anthem for Palm Sunday.

Handel's famous Hallelujah Chorus from his Oratorio the Messiah, arranged for SAB choir and Piano accompaniment by Carl Deis.

W. A. Mozart's Lacrymosa (Day of Sadness), from Requiem K. 626, for SATB Choir with Piano accompaniment, and English words by William Josiah Irons.

For SAB Choir and Piano.

When I Was One And Twenty is the third song in the cycle Three Songs From A Shropshire Lad. It is arranged here for SAB Chrous and Piano accompaniment.