Partitions moyen pour Chœur mixte

A sacred cantata for Soprano solo, four-part SATB Choir and organ or piano accompaniment. Words by W. Bartholomew.

A sacred cantata for soprano, tenor and baritone soli, chorus and orchestra, with English adaptation by Dr. Theodore Baker. This version contains all voice parts and a piano accompaniment.

Felix Mendelssohn's Come, Let Us Sing Op. 46 is a setting of the 95th Psalm, and available here is the vocal score for Tenor solo, SATB Chorus and Piano reduction.

One of Haydn's greatest choral masterpieces, his oratorio The Creation was composed in 1795. The work is based jointly upon the Book of Genesis, the Book of Psalms, and on John Milton's Paradise Lost.

Bach's sacred cantata No. 140: Sleeper's Wake, a rousing work for SATB Chorus with Piano Accompaniment. English translation by Henry Drinker.

This Mass, composed in 1815 but not published until 1846, has great depth whilst also being lyrical and climactic. It was originally set for Soprano, Tenor and Bass Soli, SATB Chorus, Strings and Orga...

A Sacred Cantata for Solo Voice (Soprano, Tenor or Baritone) and SATB Choir with Organ. Text freely adapted from St. Luke.

This edition of the Organ score to Handel's Messiah is intended to make life a little easier for the organist who is to accompany this Choral work in place of an orchestra. Prepared by Warren Hutton a...

A surprising new setting for concert or worship.

Gounod's setting of Psalm 137, arranged in Tonic Sol Fa.

For an apparent folksong, On Ilkley Moor baht 'at has a very reliable provenance. The tune, Cranbrook, was devised in 1805 by Thomas Clark, a shoemaker of Canterbury and prolific composer of hymns for...

Everything here is accessible to the parish choir and immensely useful for service use throughout the year.

Featuring oboe and soprano solos, this new setting of the ever-popular 'Huron Carol' is sure to be a program favorite for better choirs. Paul Aitken was a recent winner of the ACDA Hugh Brock Student...