Partitions moyen pour Chœur mixte

A classic from the golden age of the show tune, Smoke Gets In Your Eyes is a soulful and sophisticated number originally written by Jerome Kern and Otto Harbach for the musical Roberta. Over the years...

C'est probablement dès la seconde moitié des années 1750 que Johann Adolf Hasse composa son Requiem en si, dont voici la première version imprimée. On ne sait rien de la destination de cette œuvre à l...

Le 1er avril 1725, Bach a composé, à partir de sa cantate des bergers BWV 249.1 écrite quelques semaines plus tôt, la cantate de Pâques "Kommt, gehet und eilt" BWV 249.3, qui allait devenir l'embryon...

Le Gloria en ré RV 589 est l'œuvre religieuse la plus connue de Vivaldi et fait partie de ses compositions de musique sacrée les plus importantes. Il a probablement été composé entre 1713 et 1717 en t...

Composed during the early 1700s, Emanuele d'Astorga's nine-movement Stabat Mater was to become one of the most frequently performed choral works of the eighteenth century. Tinged with melancholy, it f...

This work comprises three settings of sections from the Penitential Psalms, interspersed with four arrangements of the well-known Ubi caritas plainchant. The psalms may also be performed separately, g...

This significant seven-movement work from Cecilia McDowall presents an imaginative pairing of extracts from The Notebooks of Leonardo da Vinci with texts from the Latin Missa pro defunctis. Da Vinci's...

Setting an invigorating Easter text from the Song of Songs, this episodic anthem is full of expressive passages and lyrical melodies. The canonical soprano parts are echoed in the lower voices, contri...

This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while change...

La populaire Pavane pour une infante défunte de Maurice Ravel est ici arrangée pour voix mixtes et orgue, ce qui permet aux chœurs d'interpréter pour la première fois cette magnifique pièce du réperto...

This uplifting and highly effective arrangement of the popular Stanford hymn-tune ENGLEBERG, to words by Fred Pratt Green, was commissioned by the Broadway Baptist Church (Fort Worth) in Texas, and la...

A new edition of a Schubert classic skillfully edited by Dr. Patrick Liebergen. Impressive in concert and/or contest, Sanctus begins with a full adagio chorale followed by a fast paced contrapuntal fu...

Premiered in April of 2004 at Carnegie Hall, this exuberant festival piece by revered composer and conductor Sally K. Albrecht is not to be missed! Open your next concert with this majestic fanfare th...

For the discerning choir, a lovely setting of the Latin 'Benedictus. ' A haunting melodic motive is underscored by a gently lilting piano accompaniment as your choir performs this highly expressive an...

Part of Mark Hayes's genius lies in his ability to respond to scripture with a voice that is a true synthesis of classical and contemporary church music. God Is Love is a perfect reflection of this sy...

This medley by Lloyd Larson incorporates Tim Hughes' wildly popular praise chorus, Here I Am to Worship, with the beloved traditional hymn, Holy, Holy, Holy. A dynamic choice for both contemporary and...

Mark Hayes lets out all the stops with a thrilling version of 'Gloria.' The piano accompaniment is trademark 'Mark' and the choral parts, while exciting, are not difficult. The rafters will ring with...

Franz Joseph Haydn's Kyrie Eleison superbly arranged for SATB choir by Hal Hopson.

L'oratorio de Bach pour l'Ascension a été composé à Leipzig en 1735. En termes d'ampleur, il correspond à une cantate, mais en termes de choix de texte, il peut être classé comme un oratorio. En plus...

Kantate zum Sonntag Sexagesimae (Leipziger Fassung) (deutsch/englisch) nach der Neuen Bach-Ausgabe. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Fagott, Viola (...

Kantate zum 19. Sonntag nach Trinitatis. Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe (deutsch/englisch). Bass solo, Gemischter Chor-SATB, Oboe (2), Englischhorn, Streicher, Basso continuo

La Cantate 56, également connue sous le nom de "Kreuzstab Cantata", a été composée en 1726 pour le 21e dimanche après la Trinité et est relativement légère pour hautbois, cor anglais, cordes et basse...