Partitions moyen pour Chœur de femmes

Written in 1937 for a performance of John Gay's The Beggar's Opera.

Now I walk in Beauty is a setting of a prayer of the Navaho people. The simple set of variations on a four phrase melody is a celebration of the innate deep in the heart of all people.

In a Valley Low combines folksongs from American and Finland in a light, melancholy jazz style. The folksongs share the idea of passing through the world and carrying the beauty encountered there in y...

This setting of the poem Faldang attempts to capture the flavour of the fiddle tunes referred to in the text with the zestiness of meter changes and no-diatonic excursions. Above all else, it should b...

Moonplay is influenced by the tradition of inventions - studies using limited musical materials. Yi and yu - change and constancy - are the foundations of almost every musical form. And in abstract mu...

The life of Oglala Sioux holy man Black Elk (1863-1950) spanned the tragic decades of the battle with Custer at the Little Big Horn, the ghost dance, and the massacre at Wounded Knee. In 1930, Nebrask...

A flowing piano accompaniment sets the gentle, expectant mood of this piece, returning in each section with further development and ornamentation, inspiring and deepening a sense of awe and Divine ecs...

Shakespeare's familiar text from Twelfth Night about unrequited love is expressed through varying levels of dissonance.

This piece is known in a variety of melodies and dialects in the Ukranian oral tradition.

This piece is one you might do in the fall of the school year, when you have new and inexperienced choristers to train. The added counterpoint at the opening, and few forays into three-part “har...

Frauen- oder Kinderchor (SMezA)

Frauen- oder Kinderchor (SMezA)

Frauen- oder Kinderchor (SMezA)

Wunderschön's Vögelein' - Frauen- oder Kinderchor (SMezA)

Chorpartitur