Partitions moyen pour Big Band et Orchestre de Jazz

Frank Foster's contributions to the Count Basie orchestra of the 1950s cannot be underestimated. Whether serving as the band's star tenor saxophone soloist or one of its definitive arrangers, Foster p...

Red Bank, New Jersey native William 'Count' Basie usually spent more time calling attention to the many wonderful musicians in his fabulous bands. This Neal Hefti arrangement, originally recorded for...

This is one of a series of arrangements written by Nelson Riddle for Ella Fitzgerald focusing on the Gershwin songbook. These arrangements constitute some of the most famous settings of classic songs...

In April of 1962 Ella Fitzgerald returned to the studio with Nelson Riddle to record material for the Verve album Ella Swings Gently with Nelson. This arrangement of the Victor Young/Sam Lewis standar...

This is one of a series of arrangements written by Nelson Riddle for Ella Fitzgerald focusing on the Gershwin songbook. These arrangements constitute some of the most famous settings of classic songs...

This Buddy Bregman arrangement, written for the 1956 album 'Ella Fitzgerald Sings the Cole Porter Songbook,' provides an interesting contrast to several of the other well-known covers of this long-sta...

Blues In The Night has become one of the most well-recognized pop songs of the 1940s due to its appearances in media ranging from television commercials to classic Looney Tunes cartoons. This Marty Pa...

This is one of the classic Nelson Riddle arrangements recorded by Ella Fitzgerald for the 1961 Verve album 'Ella Swings Brightly with Nelson.' This arrangement was modified in the studio to begin with...

Although Marty Paich's arrangement of 'Moonlight On The Ganges' (written for the 1958 Ella Fitzgerald album 'Ella Swings Lightly') starts off in a conventional manner, the multiple tempo shifts over t...

It should come as no surprise that Marty Paich was chosen to write the arrangements for the 1958 album 'Ella Swings Lightly.' Paich's 'dektette' writing for Mel Tormé had brought him some of hi...

Better known within the jazz community by its instrumental title 'Robbins' Nest,' Quincy Jones' arrangement of 'Just When We're Falling In Love' was written for Ella Fitzgerald and the Count Basie Orc...

This cooking blues chart will fit perfectly in any program. From the opening bar to the final chord, it keeps everyone involved. The solo section is perfect for opening it up to any player as sheets a...

The solo section can be played with only one scale making this medium swing tune an ideal choice for a younger group.

Back Bay is an inlet of Casco Bay, on the scenic coast of Maine. This blues-infused swing chart was written to help students with the II-V-I progression, and the improv section is based entirely on th...

Chicken Reel est un morceau rare de l'orchestre de Glenn Miller, écrit à l'origine par Bill Finegan. L'arrangement s'ouvre sur un riff rythmique à l'unisson, soutenu par les appels du groupe, et à par...

Voici la célèbre version de Bobby Darin de ce classique de Cahn et Van Heusen, transcrite dans son intégralité. Il oscille doucement à environ 120 battements par minute et est immédiatement reconnaiss...

Sans doute la chanson la plus célèbre du groupe de Bunny Berigan, "I Can't Get Started" est une ballade luxuriante qui met en scène, à parts égales, le chanteur et le soliste à la trompette. La partie...

Écrit par Bobby Troup (célèbre pour Route 66) et arrangé par Sy Oliver, cet air a été un succès pour l'orchestre de Tommy Dorsey et les Pied Pipers. Notre partition est prévue pour un groupe vocal de...

Groupe vocal ou solo avec groupe Voici un autre classique du trio vocal des Andrews Sisters, et notre seul changement par rapport à l'original est d'augmenter les parties du groupe pour en faire un bi...

Un classique de Glenn Miller datant des débuts du groupe, avec le chant de Ray Eberle et les caractéristiques de Miller : des anches de clarinette sur des cuivres en plungers, une grande modulation su...

Voici le Blacksmith Blues d'Ella Mae Morse, écrit pour elle par Jack Holmes. Cette chanson était à l'origine la face cachée de Love Me or Leave Me, publiée en 1952 par Capitol Records, et elle est dev...