Partitions moyen pour Big Band et Orchestre de Jazz

This is one of a series of arrangements written by Nelson Riddle for Ella Fitzgerald focusing on the Gershwin songbook. These arrangements constitute some of the most famous settings of classic songs...

This is one of a series of arrangements written by Nelson Riddle for Ella Fitzgerald focusing on the Gershwin songbook. These arrangements constitute some of the most famous settings of classic songs...

This sultry and lush arrangement was written by Nelson Riddle for Ella Fitzgerald's 1962 album 'Ella Swings Gently with Nelson.' This is a studio orchestra arrangement featuring a string section along...

This is one of a series of arrangements written by Nelson Riddle for Ella Fitzgerald focusing on the Gershwin songbook. These arrangements constitute some of the most famous settings of classic songs...

Released on Ella Fitzgerald and Duke Ellington's 1965 collaboration 'Ella At Duke's Place,' this brief but lovely arrangement is a wonderful treatment of one of Billy Strayhorn's most tender and disar...

Doug Beach has crafted a dramatic ballad the features either Alto Saxophone or Trumpet. The haunting melody over minor changes will be an excellent showcase for your soloist. Doug uses a variety of co...

Composer Mike Tomaro has created a super even-eighth note ballad that features the ensemble throughout. There is a written 16 measure solo for Tenor Saxophone that may also be improvised. Lush harmony...

A lyrical melody and beautiful harmonies combine to create a poignant showcase for trumpet or flugelhorn soloist (written lines included for soloists lacking improvisation experience). Lush voicings e...

White Cliffs of Dover est une jolie ballade swing vocale tirée du livre de Glenn Miller. Nous avons gardé cette partition fidèle à l'original, tout en augmentant les cuivres à 8 voix. Les solos origin...

La partition originale d'Ella Fitzgerald a été écrite pour un big band, avec beaucoup d'instruments à vent orchestraux. Jon Harpin a habilement adapté le concept original pour rendre le morceau jouabl...

Tirée de l'album "Even Now" de Barry Manilow, sorti en 1978, cette chanson est une superbe ballade lounge aux accents bluesy. S'ouvrant sur un piano solo, la voix entre soutenue par la seule section r...

One of the finest modern ballads re-created here as an alto sax feature, plus lyrics for optional girl vocal (keys C/ Eb). Includes the extended classical style intro. from the Van Morrison album 'Ava...

A superb flugel horn feature of this lyrical ballad, with full band backing, including 4 saxes doubling on clarinets plus 1 tenor sax. The original Genesis music can be heard on the album 'Genesis Liv...

Fred wrote this version first, before creating the shorter, easier version. This also features alto saxophone throughout, but it has a long, double-time section in which the soloist can really stretch...

White Mountain Moonlight is a ballad written in the style of Glen Miller's 'Moonlight Serenade' with Clarinet lead. Like Millennium Jump, it is one of the songs from the big band musical 'Bring 'Em Ba...

This is a tender emotional ballad that features piano. 5/4/4/G,P,B,D. Trumpets D, Trombones B.

Jamie is a great ballad feature based on the changes 'Never Land' from Peter Pan, that works with either trumpet or flugelhorn. Easy to play, with full background figures. Range is not a problem. Gret...

Ballad. 1/4 note = 76. Feature for alto (or opt flugelhorn, alternate parts included). Beto's Ellington-esque tribute to altoist Johnny Hodges. Scored for A,T,B, 2 Trpts, 1 Bone & Rhy.

Style: ballad with double time swing middle section/ Tempo: quarter =80/ scored for: 4 trumpets, 4 trombones, 5 saxes (flute and clarinet doublings) alternate parts provided with no doubling, female v...

This playful medium-tempo swinger features a smooth, self-assured melody that glides along a cool, slightly altered blues progression. Trumpet and alto sax carry the melody at first before passing it...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...