Partitions moyen de Swing

A full bore industrial strength swinger for mature bands by Hollywood & TV composer, Lenny Stack. Plenty of great big band licks at a very brisk tempo with ample solo space for the saxophone solos of...

A big-time industrial strength swing chart in the 1940's Benny Goodman big band style that is full of appeal. Lots of space for the drummer and an open section for the horn solos of your choice(If you...

A big-time uptempo swinger from the pen of Dominic Spera that is really special. Great lines for every section and plenty of solo space for the soloists of your choice make this a great competition or...

Stellen Sie Ihren Vibraphonisten in den Mittelpunkt. Ein Combo aus Vibraphone, Trompete, Alt Saxophon und Posaune eröffnet diese schnelle Swing Nummer mit einem Unisono Thema. Interessante Begleitstim...

Jumpen, jiven und jitterbugen Sie sich mit dieser schnellen Swingnummer zurück in die 40er Jahre, die an die große Bigband-Ära erinnert. Mit pulsierenden Rhythmen und begrenzten Tonumfängen gibt diese...

Das ist eine Swingnummer im 'Basie'-Stil, die mit einem ausgeschriebenen Pianosolo beginnt und ein Trompeten- und Tenorsaxofon- oder Posaunensolo folgen lässt, bevor die ganze Band in Aktion tritt. Ei...

Man nehme eine eingängige Melodie, füge einen raffinierten Akkordsatz hinzu und garniere das Ganze mit fein swingendem Ensemblesound. Herauskommt eine richtig spassige und musikalische Erfahrung aus d...

Eine Swingnummer im mittleren Tempo mit spielerischem Klang Ó la Count Basie. Die Nummer beinhaltet eine Combo, bestehend aus Tenorsax, Trompete und Posaune, bevor die ganze Band mit geschmackvollem S...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

A jazz standard from the legendary Sonny Rollins, Doxy is arranged here in a very playable and appealing swing setting for little big band. Tenor sax, baritone sax and trombone take the lead in the be...

A jazz standard from the legendary Sonny Rollins, Doxy is arranged here in a very playable and appealing swing setting for little big band. Tenor sax, baritone sax and trombone take the lead in the be...

This arrangement of the John Coltrane standard features plenty of tutti ensemble playing within the little big band format. A solo for tenor sax is followed by a swingin' shout chorus for the entire e...

This arrangement of the John Coltrane standard features plenty of tutti ensemble playing within the little big band format. A solo for tenor sax is followed by a swingin' shout chorus for the entire e...

Famously recorded by Ella Fitzgerald with Louis Armstrong, here's a medium swinger from the early days of jazz that makes a perfect showcase for a charismatic vocal soloist (optional duet for female a...

This clever and catchy jazz standard has been recorded notably by Diana Krall, but also by Nat King Cole and Louis Armstrong. Arranged in a comfortable swing style this is a terrific feature for vocal...

Here is a creative chart in the little big band format on Duke Ellington's classic swing tune. Solos are included for tenor sax and trumpet.

Here is a creative chart in the little big band format on Duke Ellington's classic swing tune. Solos are included for tenor sax and trumpet.

Recorded by countless jazz artists through the years (including three times by Frank Sinatra), this song features a classic melody and an easy-going medium swing style. Nicely scored here for big band...

This standard has been recorded by countless jazz artists including the notable Natalie Cole version on Unforgettable. Jerry has captured the flavor of this version with a solid medium swing chart tha...

One of Peggy Lee's first recorded hits with the Benny Goodman Orchestra was this bluesy swing tune. The vocal part is not that difficult and Jerry's accompaniment works great.

This timeless classic has long been a favorite with jazz singers. Mark's version is in a medium swing style and provides a terrific background for your featured vocalist.